Why Mosquitoes Buzz in People's Ears: A West African Tale - Verna Aardema

Jazzy, inventive take on West African folktale.

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Common Sense rates it
4
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Book details
  • Author:Verna Aardema
  • # of pages: 28
  • Publisher:Penguin Putnam Inc.
  • Original Publication Date: 01/01/1975
  • Genre: Fiction - Folklore
  • Paperback: $6.99
  • Publisher's Recommended Reading Level: Ages 4-8
  • Read Aloud: 4+
  • Read Alone: 6+
  • Awards:Caldecott Medal

Parents need to know

Parents need to know that this folktale about cause and effect uses lots of sound effects (buzz, hiss).

Families can talk about consequences. Do you think the mosquito had any idea what would happen when it lied? How could it have fixed the situation before it went too far?

Message

Social Behavior:

Consumerism:

Drugs/Alcohol/Tobacco:

Violence

There is a subdued but unexpected death of a baby owl.

Sex

Language

Common Sense says

What's the story?

Reviewed by Amy Brotman

This is a jazzy inventive rendition of the West African folktale explaining the mosquito's buzz. A boast by a mosquito sends events bumping into each other like dominos until the lion must call the animals together to untangle the truth. Aardema uses juicy words to introduce African animals and the sounds they make--"badamin badamin" went the iguana, "wasawusu" went the python. An irresistible read-aloud.



Is it any good?

4

This book is a gem, from the artwork that resembles the glories of stained glass, to the cumulative power of the story's progress, to the highly original words Aardema has invented for the animals. It is also a vibrant tale of consequences and personal responsibility, even if it ends on a note of high comedy.

The Dillons's illustrations are sumptuous, boldly outlined and full of feeling. Each character is given a distinct personality: The iguana is a curmudgeon, the monkey is a piece of trouble, the mosquito is a menace. The artwork has that quality found in elaborate mosaics, where previously unrecognized images keep rising to the surface the longer you look.

As a read-aloud, the book has particular merit. Just watch as five-year-olds try to wrap their lips around sounds like "purup" and "nge nge nge." Read with verve, the story pulses with life. Even the most timid of listeners are happy to join in that last KPAO!

There is an unmistakable dignity that comes off the page here, a sense of the genuine that is also on display in Aardema's other books, or in the titles Goggles and The Snowy Day by Ezra Jack Keats.

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