Common Sense Note
Parents need to know that kids will be clamoring to see this intensely awaited sequel to Batman Begins. But although it's an excellent movie, it's also much darker and more violent than the first one. Remember: Not all Batmen are created equal. Even though this movie is about a comic-book character, neither it nor its flawed hero and villain are aimed at younger kids or appropriate for them. The film is loaded with intense action, from bombs and bullets to martial-arts fighting and intense hand-to-hand combat. In addition to the hard-hitting action, expect some drinking and a bit of sexuality. And The Joker's nightmarish appearance has the potential to frighten viewers of all ages. Much of the movie's buzz surrounds actor Heath Ledger's excellent work in that villainous role -- his final completed part before his January 2008 death from an accidental drug overdose.
Families can talk about the movie's violence. How does the film differentiate between "good" and "bad" uses of violence? What distinguishes Batman from The Joker? Both are angry and dark; why is one a hero and one a villain? Is the rule of law more important than the rule of force? What does it take to maintain order in the face of those who try to create chaos? Does keeping the public safe from harm justifying curtailing their right to privacy? Families can also discuss the media coverage around Ledger's role in the film. How does a tragedy like his death affect a film's marketing and publicity?
Common Sense Review
Reviewed By: James Rocchi
Following 2005's Batman Begins, THE DARK KNIGHT continues the adventures of billionaire Bruce Wayne (Christian Bale), who poses as a playboy in public -- and in private takes to the streets as costumed vigilante Batman, working to clean up the beleaguered city of Gotham. This time around, Batman has allies, including up-and-coming district attorney Harvey Dent (Aaron Eckhart), whose own crusade to stop Gotham's gangs and organized crime families is almost as effective as Batman's -- and, more importantly, carried out within the letter of the law. Weary and battered, Wayne is eager to help Dent so that he can retire Batman's shadowy efforts, but the arrival of a new player, the giddy and grim anarchist known as The Joker (Heath Ledger) tosses a very wild card into the game.
Big, bold, and bruising, The Dark Knight is a prime example of how a high-budget, high-profile comic-book sequel can still be an actual movie -- well-made, exciting, invested, and engaging. Yes, it's going to sell tickets and toys, but credit has to go to director/co-writer Christopher Nolan for making a strong, rich film that gives audiences plenty to talk about and mull over even after the initial adrenaline rush wears off. Like the other filmmakers who've tackled Batman in the modern age, Tim Burton and Joel Schumacher, Nolan has an obvious enthusiasm for the character; unlike Burton and Schumacher, Nolan also has an obvious respect for the character's history, grounding the costumes and action with real character development and focused storytelling.
The actors are all excellent, as well; Ledger's work as The Joker is earning Oscar buzz, and that's not just post-mortem sympathy talking. His swaggering, unhinged take on the character makes for an unsettling, compelling interpretation. As Dent (who, as comic-book fans know, eventually becomes the scarred villain Two-Face), Eckhart also delivers a strong performance that goes much deeper than the special-effects makeup he winds up wearing. Bale's performance is also terrific, whether he's portraying Batman's driven crime-fighting exploits or the quieter moments of Bruce Wayne's struggles behind the mask. Supporting players Gary Oldman, Morgan Freeman, Michael Caine, and Maggie Gyllenhaal also deliver in their smaller roles. The Dark Knight is two and a half hours long, but it never meanders or wastes time; instead, it's packed to the brim with action, ideas, well-drawn character moments, and surprisingly effective drama.
Nolan and Bale's first collaboration, Batman Begins is another strong action film; younger teens with an interest in the Caped Crusader may enjoy the campy excess of Schumacher's Batman Forever and Batman and Robin. Balancing smart storytelling with TV-friendly sensibilities, Batman: The Animated Series is another option for younger teens.
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| CS | adults | kids | ||
Sexual ContentSome kissing; someone walks in on a couple (standing up and fully dressed), and it's clear they've been fooling around; bikini-clad women are shown. |
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ViolenceExtensive, intense violence, including (but not limited to) shootings, stabbings, fistfights, explosions, rocket attacks, grenades, and more. A thug is slammed face-first onto a pencil that's stuck in a table; an underling has an explosive device sewn into his body and then detonated; a hallucinogenic "fear drug" is used as a weapon; dogs are unleashed on victims; a man is set ablaze; cars crash; characters are bound in rooms full of explosives; live grenades are placed in the hands and mouths of hostages; two boats full of passengers are threatened with bombs on-board; suicide bombs are used as threats; knives and guns are brandished. Several characters have extensive facial scarring, either from knives or fire. |
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LanguageMinimal, limited to "balls" and "ass." |
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Message |
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Social BehaviorExtensive discussion of the rule of law versus the rule of force; police and political characters who work within the system are contrasted with the vigilante Batman. Political and police corruption are featured prominently in the plot. The thematic idea of order versus chaos also figures prominently in the film. |
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CommercialismMinimal; the Lamborghini brand is mentioned, and Budweiser products are visible. |
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Drug/Alcohol/TobaccoCocktail party scenes show adults drinking champagne, liquor, and beer, mostly in the background. Some scenes take place in bars. |
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