Double Indemnity (1944) (NR)
Dark, dialogue-heavy classic of grim suspense.
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- Studio: Universal Studios Home Entertainment
- Directed By: Billy Wilder
- Cast: Fred MacMurray, Barbara Stanwyck, Edward G. Robinson
- Running Time: 104 minutes
- Release Date: 09/06/1944
- Video/DVD Release Date: 01/28/1998
- Genre: Classic
- MPAA Rating: NR
Parents need to know
Families can talk about Walter Neff, and why a smart, successful insurance salesman would throw away his life for a scheming woman. Are his motivations realistic, or more of a crossover from "film noir," the wave of pessimistic detective movies and moody crime thrillers that suddenly came out of 1940s Hollywood? What modern movies have you seen that remind you of the classic film noir style? You might get history-minded kids to look into the life and work of writers James M. Cain and Raymond Chandler who inspired this film, and even further back to the real-life 1927 Ruth Snyder/Judd Gray murder case that inspired this movie.
Message
Social Behavior:
The antihero is a once-honest man turned murderer, whose whole confession frames the movie. Even though he faces the consequences for his actions, he seems almost fatalistic, not apologetic, about his actions. But in the end he does prevent another murder. Phyllis is quite the "wicked stepmother" type, in addition to her other faults.
Consumerism:
The tie-in novel by James M. Cain.
Drugs/Alcohol/Tobacco:
Quite a bit of smoking, cigarettes, and cigars.
Violence
One man murders another with his bare hands, offscreen. Two people are shot at close range.
Sex
Phyllis seen briefly, clad demurely in a towel. Otherwise her seductive affair with Walter Neff is all talk, mood, and innuendo.
Language
Common Sense says
What's the story?
Reviewed by Charles Cassady, Jr.
Is it any good?
Even today, these characters' jaded attitudes toward taking a life is bracingly sinister; as if right and wrong don't matter in this milieu, only getting caught or getting away with it. Add to this lack of remorse themes of obsession and betrayal and the power of great film noir is revealed.
Other choices
The Lady from Shanghai
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