Dunstin Checks In (PG)
Silly orangutan brightens lackluster family flick.
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- Studio: Twentieth Century Fox
- Directed By: Ken Kwapis
- Cast: Jason Alexander, Rupert Everett
- Running Time: 89 minutes
- Release Date: 01/12/1996
- Video/DVD Release Date: 05/28/2002
- Genre: Family and Kids
- MPAA Rating: PG
- MPAA Explanation: some mild language and sensuality
Parents need to know
Families can talk about animal rights or simply the idea of training animals to do our bidding or entertain. Parents with younger children may simply want to discuss the similarities between humans and apes and the emotions that Dunston displays -- missing his brother, bonding with the young boy, and turning against his jewel thief owner.
Message
Social Behavior:
Everett's jewel thief is a classic bad guy and Dunaway's boss-lady is predictably rich and bitchy, yelling and firing people to let off steam and concerned more with success than happiness. The young boys are pranksters who exhibit some thoroughly naughty behavior but they do end of saving the day. The biggest take home message concerns the preoccupied single father's relationship with his sons. He is work obsessed but in the end learns to prioritize his family.
Consumerism:
A boy wears Spider-man T-shirt and has a Spider-man stuffed toy.
Drugs/Alcohol/Tobacco:
A woman drinks from a hip flask. Dustin smokes a cigar.
Violence
Slapstick and rough-and-tumble pummeling, including ear-biting, silly karate, and kitchen pots to the head. A kitchen knife is wielded. A large tranquilizer rifle is shot at Dunston but lodges in large man, causing sleepiness.
Sex
Mild sexual suggestiveness as a lusty matron enjoys her massage. Teen boy is girl crazy and on the make.
Language
A few mild swears, the worst of which are "hell" and "holy s--t."
Common Sense says
What's the story?
Reviewed by Erika Milvy
Is it any good?
But beyond the gimmicks and pratfalls, DUNSTON CHECKS IN is nothing to write home about, nothing even to email home about. Paul Reubens' performance is the film's sole spark of non-formulaic storytelling. He is so good at just manipulating his facial muscles as the weird animal control expert that he foils Jason Alexander's limp noodle of a performance. This, one of his first post-Seinfeld roles, reveals how poorly Alexander does kids movies -- or anything but George Costanza.
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