Hairspray (2007)

What’s the Story?

HAIRSPRAY starts with an infectious song -- "Good Morning Baltimore" -- that sets the cheery tone of Adam Shankman's feature-film adaptation of the Broadway adaptation of John Waters' campy 1988 comedy. The update, also set in 1962 Baltimore, has slightly less kitsch than the original -- but, thanks to the fabulous soundtrack and adorable cast, even more charm. Newcomer Nikki Blonsky makes heroine Tracy Turnblad zaftig and adorable. Tracy doesn't let her plus-sized body keep her from dancing like a pro, trying out for the local TV station's American Bandstand copycat The Corny Collins Show, and crushing on the show's dreamy hunk Link Larkin (High School Musical star Zac Efron). Her favorite episodes aren't the lily-white ones hosted by Corny (James Marsden) but the "Negro Day" specials hosted by Motormouth Maybelle (a big and blonde Queen Latifah). When Tracy finally lands a spot on the show -- much to the chagrin of skeletal station manager/racist ice queen Velma Von Tussle (Michelle Pfeiffer) -- the first thing she tells Corny is that she wishes "every day could be Negro Day." Tracy develops such a faithful following that she convinces her oversized mom, Edna (John Travolta in layers of drag), to leave the house for the first time and be her manager.

Is It Any Good?

Director (and choreographer) Shankman, who's best known for formulaic romantic and family comedies, has done what 2005's The Producers utterly failed to do: capture both the essence of the Broadway show's magic and the original film's timeless camp value to create a memorable movie musical. (Oh, and that cutie pie Efron definitely helps, too.)

Travolta should consider his role a gift, since he's more enchanting as Mrs. Turnblad than he's been on screen in more than a decade. And as Mrs. Turnblad's husband, Wilbur, Christopher Walken again perfects his mastery of slow talking and soft shoeing. Waters himself couldn't have cast a better mom and pop odd couple. Some of the best songs and moves belong to the "Negro Day" dancers, like smooth-talking Seaweed (Elijah Kelly, who deserves an Efron-esque following of his own after this stand-out performance). And Queen Latifah's ballad "I Know Where I've Been" touchingly accompanies a civil-rights march calling for on-air desegregation.