Just Visiting (PG-13)
Time travel comedy with bathroom humor.
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- Studio: Buena Vista Pictures
- Directed By: Jean-Marie Poire
- Cast: Christina Applegate, Jean Reno
- Running Time: 80 minutes
- Release Date: 04/14/2001
- Video/DVD Release Date: 02/04/2003
- Genre: Comedy
- MPAA Rating: PG-13
- MPAA Explanation: violence and crude humor
Parents need to know
Families can talk about what they think it would be like to find oneself in a different time. How do you think you would react to technologies such as ours if you were from a long-ago time?
Message
Social Behavior:
African-American characters seem to be comic-relief menials. Sloppy eating, flatulence, and playing with toilets from the Dark Ages characters.
Consumerism:
Drugs/Alcohol/Tobacco:
Some drinking.
Violence
Magic makes characters deform, mutate, and even explode. Frequent slapstick mayhem, usually with swords. An innocent girl is stabbed to death (magic reverses her fate, however); a thief is threatened with amputation of his hand. The bewildered heroes thor
Sex
None, although one female goes through deliberately seductive poses in revealing clothes. A wizard uses an animal penis in a potion.
Language
Regular use of the s-word.
Common Sense says
What's the story?
Reviewed by Charles Cassady, Jr.
In JUST VISITING, a 12th century nobleman, Count Thibault of Malfete (Jean Reno), and his servant Andre (Christian Clavier) find themselves transported to the year 2000 when an aging wizard (Malcolm McDowell) demonstrates a potion that enables people to travel through time. They end up in a Chicago museum that has relics from Thibault's time on display. The pair are aided by Julia (Christina Applegate), an employee of the museum. When the Count learns that Julia is his descendant, he realizes he must get back to his time.
Is it any good?
You can find 1993's Les Visiteurs on video -- be warned, however, that it's rated R for gore and bad taste. In a rare move for a Hollywood remake of a foreign film, the original French director, Jean-Marie Poire, came along for the new version, as did stars Jean Reno and Christian Clavier. The European actors are a refreshing change from, say, Mel Gibson (in his comedy roles) and Martin Short, but their performances are grounded in little more than slapstick and buffoonish mayhem.
Director Poire has toned down the chaotic bloodshed (replacing it with expensive but unnecessary computer-generated special effects), but not the bad taste. Thibault and Andre are grungy, foul-smelling and gluttonous, and they react to modern-day civilization with bewilderment and drawn swords, as they trash cars, TVs, and refrigerators. The filmmakers delight in repeating these antics repeatedly -- Andre is particularly enchanted by toilets -- and the jokes don't get any fresher the second time around. Neither do Applegate's blandly deadpan reactions. Scriptwriter John Hughes helped update the scenario, and his touch is most apparent in the subplot of Julia learning to be a strong, assertive individual. She owes thanks to her semi-barbaric ancestor Thibault, who enforces the Malfete family motto "Courage is our creed." The movie gets more entertaining near the end, with a cute role for McDowell, the only actor here who underplays as the fashion-conscious sorcerer. There's also a genuinely rousing climactic chase.
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