What’s the Story?
THE STING teams Robert Redford with Paul Newman in a lively 1930s crime caper. When grifter Johnny Hooker (Robert Redford) and his partner Luther cross the wrong mobster, Doyle Lonnegan (Robert Shaw), Luther turns up dead. Seeking revenge, Johnny enlists the help of old friend Henry Gondorff (Paul Newman), con artist extraordinaire. On a train to Chicago, Johnny and Henry get in on a high stakes game of poker with Doyle, roping him into a larger scheme. With some help from a large supporting cast of accomplices, Johnny hatches an extended plot to bilk Doyle out of every penny he has. The fun stops when the FBI puts the screws to Hooker, convincing him to be part of a sting operation to catch the real big fish, Gondorff. In the end, the last one to double-cross the other wins.
Is It Any Good?
Part of the entertainment of The Sting is just how elaborate the scams can be. The entire movie is an extended series of sidelong glances, winks, and nods. At different moments in the story, the audience is positioned as the shyster and the mark, never sure who is telling the truth. It's a film steeped in nostalgia, not only in its setting, but in style as well. It has more than a few retro touches, from the storybook introduction to each act to the shadowy alleys reminiscent of 1940s film noir.
Despite some serious moments for the sake of drama, the film is full of joyfulness that borders on smugness. The fun in watching it comes from knowing that someone is being taken for a ride, but not knowing exactly who has the upper hand or exactly how things will play out.

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