Working Girl
What’s the Story?
Staten Island-raised working-class woman Tess (Melanie Griffith) is determined to put her brilliant business mind to work. She tells a personnel director (Olympia Dukakis), "It took me five years of night school, but I got my degree and I got it with honors. I know I could do a job." But no one will seem to let her, from her sexist stockbroker boss who pimps her out under the guise of work promotions to the female boss who tells her they're equals but stabs her in the back. When her latest boss, Katharine (Sigourney Weaver) steals her idea for a corporate merger, Tess gets her revenge. Taking advantage of her Katharine's absence, she masquerades as her corporate equal and starts to broker the deal herself. But can she really do what she's been telling people she can do? And can she deal with the strong attraction she has to her acquisition partner (Harrison Ford)?
Is It Any Good?
WORKING GIRL is a screwball comedy filled with terrific performances. There are some iconic lines in the film: "I have a mind for business and a bod for sin," Tess tells Jack upon first meeting; Cyn (Joan Cusack) yelps at seeing the price of a dress Tess is stealing from Katharine, "Six thousand dollars?!? It's not even leather!" The laughs are there, but for the right mature audience that can handle all the sexual content and the questionable ethics.
Today's teens will probably look at Working Girl as an artifact from our ratted hair and shoulderpad past, complete with unironic mullets and really high-waisted pants. But it's also an artifact of the greedy '80s, told with enough humor and gentle spirit from star Melanie Griffith to make it a kinder, gentler Wall Street.

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