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Parents' Guide to

A Mighty Wind

By Nell Minow, Common Sense Media Reviewer

age 13+

Hilarious folk music mockumentary has some innuendo.

Movie PG-13 2003 92 minutes
A Mighty Wind Poster Image

A Lot or a Little?

What you will—and won't—find in this movie.

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age 14+

Based on 2 parent reviews

BestPicture1996
BestPicture1996 Adult
August 23, 2014
age 14+

Guest and his guests have a ball with folk

If you've ever seen a Christopher Guest movie, you'll know exactly what you're in for when you pop in "A Mighty Wind." There's the initial meeting of all the individual characters, they get together, there's a hilarious climax involving all of them (a dog show, a local play, in this case a concert) and then we flash forward to see how they're all doing now! Knowing that, you can have a great time with these zany folks, and marvel at the improvisation they all do. There's a lot of silly stuff in here, but most of it works. Eugene Levy, who wrote it with Guest, is of course the standout among these talented comedians. Some adult humor, but fine for younger teens.
amandaisl
amandaisl Adult
April 9, 2008
age 13+

Witty humor for many ages

If you liked the style of Spinal Tap or Best In Show, then you'll enjoy this movie just as much. The humor is intelligent and very well executed. It may be a little to old for the younger generation as it speaks to an audience that knows about the folk music scene in the 60's. But overall, it was extremely funny and the songs are quite catchy.
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What's the Story?

A MIGHTY WIND is a mockumentary about a very diverse, but earnest and enthusiastic group of people who share a passion that involves performing in front of an audience. PBN (a stand-in for PBS) is going to broadcast a special concert in memory of Irving Steinbloom, a man who was instrumental in the careers of '60s folk musicians. The groups who will participate are a trio called The Folksmen (Spinal Tap alums Christoper Guest, who also co-wrote and directed, Michael McKean, and Harry Shearer), a once-married duo called Mitch and Mickey (co-screenwriter Eugene Levy and Catherine O'Hara) and the relentlessly perky Main Street Singers -- now called the New Main Street Singers because only one of the original group is still participating. This return to the spotlight after so many years creates all kinds of traumas and challenges.

Is It Any Good?

Our review:
Parents say (2 ):
Kids say (1 ):

Guest movies always get better on the second viewing, and this one may need three, as its best moments are its subtlest. The fabulously constructed songs, for instance, are just one tweak away from the music of the Hootenanny era, where suburban kids sang folk songs written by slaves and hobos so they could feel more "authentic."

There are wonderfully choice moments, such as the riffs by Fred Willard about his brief stint on a sitcom and Ed Begley Jr.'s Yiddish-peppered discussion of putting the broadcast deal together. Steinbloom's son (Bob Balaban) is so obsessed with the details of the event that he literally can't see the forest for the trees -- he interrupts the live broadcast to warn the audience in the theater to be careful not to get scratched by the twigs in the floral arrangements. The reconstruction of the historical material is devilishly meticulous, well worth hitting the pause button.

Talk to Your Kids About ...

  • Families can talk about the unusual way that Guest and Levy work. They set out the broad outlines of the story and then invite their actors to improvise their parts. How does that make the final version of the movie different from most?

  • Families can also talk about the performers who inspired this movie, like the Kingston Trio, Peter, Paul, and Mary, and Joan Baez. What was it that brought folk music to the forefront in the early 1960s?

Movie Details

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