Adam (PG-13, 2009)

There are so many ways that ADAM could have taken a wrong turn, but thankfully it doesn’t. Gracefully told and beautifully filmed, it steers clear of potholes that wreck most other movies about "conditions." First, there’s Dancy, whose turn as Adam is spot on -- no overacting here. He’s both tortured and content and always compelling. And Byrne is definitely his equal. When she falls in love, it’s believable, even given the daunting setup.

Director Max Mayer understands the importance of being earnest; instead of lacing the entire enterprise with breezy romcom energy, he goes for truthfulness. Though the approach may have taken the wind out of Adam’s sails just a bit -- it’s more serious than typical date-night fare and perhaps a bit melodramatic on rare occasions -- it leaves the film interesting. And that’s more than anyone else can say about romance movies of late.