Therapy films usually follow the same pattern as romance films, a sort of one-sided romance of the subjects with themselves. In other words, it's therapist meets patient, therapist loses patient, then therapist gets patient to open up with a big revelation to begin to heal. But
Antwone Fisher, a true story written by its subject, the journey inside himself is just the beginning. The story is not what goes on in his conversations with the doctor, but where that takes him.
At first, the fact that this movie does not follow the usual pattern can feel disconcerting, even amateurish. There is an obvious tension between what is important to Fisher the person and what works on screen. Ultimately it gives the movie a kind of messiness and heart that provides some extra authenticity. Washington does very well with his first directing job, especially with Luke and model Joy Bryant as Fisher's girlfriend in their first major roles. And as Dr. Davenport, Washington's grace, dignity, sheer magnetism and ability to convey a complete character with every gesture are enough to carry the entire movie.