Though Terry probably believes himself when he tells his wife that "All I want is to get out of the game," he's also plainly thrilled by challenge, the chance to beat the system one more time. But he's surprised by the ferocity of his adversaries, who have much more at stake than he does. These include not only the politicians caught with their pants down, but also a gangster who keeps cops on his payroll and a militant who's used the princess photos to blackmail his way out of a prison sentence. As
Roger Donaldson's movie keeps track of all these plot strands at once, it becomes more procedural than compelling.
Meanwhile, per heist movie formula, Terry's bad behavior is offset by the even worse behavior of his opponents. Theft, deception, and adultery don't look so terrible compared to murder and torture, especially since the robbers seem like they're having fun, trusting and kidding one another in ways that the generally humorless assortment of gangsters, pimps, revolutionaries, and authorities can't manage. Statham is surely charismatic, but the film is finally defined by its thinly drawn characters (the stereotypical militant, the hypocritical politicos) and by-the-numbers plot.