Brother Bear

What’s the Story?

In BROWN BEAR, Kenai (voice of Joaquin Phoenix) is the youngest of three brothers. He is impetuous, careless, and very impatient for the coming-of-age ceremony where he will be assigned a "totem," a symbol that will guide him through life. But he is disappointed by the symbol he receives, a bear, symbolizing love. His brother Sitka (D. B. Sweeny) has the eagle, for leadership, and his brother Denahi (Jason Raize) has the wolf, for wisdom. Kenai does not think either the bear or the love it symbolizes are very important. When Sitka is killed protecting his brothers from a bear, an enraged Kenai kills it. The Great Spirits want to teach Kenai a lesson, so they use the Northern Lights to transform him into the creature he despises. When Denahi arrives, he thinks Kenai has been killed, and so he hunts the bear, not realizing it is his own brother. Kenai must make a journey, physical and spiritual, before he can become his true self. Guided by a cheerfully chatty cub named Koda (Jeremy Suarez), Kenai sets off for the place where he can return to human form. But Denahi is pursuing them and other challenges lie ahead. The most important are the lessons Kenai must learn about loss, love, and brotherhood.

Is It Any Good?

The most imaginative part of this latest Disney animated feature, set in the Pacific Northwest at the end of the Ice Age, is the sunlight on the glaciers. It is magnificently rendered. The grandeur of the settings is nicely evoked, especially after Kenai becomes a bear and the screen literally opens up and brightens. Other than that lovely glimpse of majesty and artistry, the movie is right off the assembly line, an uninspired and lackluster story told with some visual flourish and a few cute moments but without much energy.

There are some exciting moments when Kenai fights the bear and when Kenai and Koda race through a sulfurous geyser field. There are some funny moments with SCTV veterans Dave Thomas and Rick Moranis as a pair of silly moose brothers. But the music by Phil Collins is mediocre, even when legends Tina Turner and the Blind Boys of Alabama do their best to add some spirit. All cultures have legends of physical transformation as a way of making more accessible the idea of spiritual and emotional change. These stories can be compelling and deeply meaningful, even for children. But here, the story is just too superficial and the script is too pseudo-mythological. The conclusion may strike some in the audience as jarring.