Confessions of a Shopaholic
What’s the Story?
After a chance encounter, twentysomething writer Rebecca Bloomwood (Isla Fisher) leaves her boring job at a trade publication behind for a stint at Successful Savings, a money magazine she hopes will be a stepping stone to her dream job at Vogue-like style tome Alette. Rebecca's a diehard fashionista with a talent for churning out readable, enjoyable copy -- a skill that has turned her into something of a finance guru. Ironically, she pays for her chic splurges with credit cards, and she's so woefully in debt that a collector's nipping at her Manolos. How will she outwit him and prevent her handsome editor, Luke Brandon (Hugh Dancy), from discovering that she's a finance "whiz" who may be destined for the poorhouse?
Is It Any Good?
Here's the question that runs through your mind after watching CONFESSIONS OF A SHOPAHOLIC: Is that all there is to it? (Which makes it a little like shopping on credit cards.) Delightful in parts but regrettably not as a whole, the movie can't seem to decide what audiences should take away from it. The shopping segments are all Sex and the City-style aspiration, but the guilt is soon heaped on in piles. What, then, is the point of dwelling on the buying binges? Had the movie amped up the fantasy part and toned down the finger-wagging, it would've been first-class escapism. As it stands, it's a lot like having your credit card denied at the checkout -- oh, what a buzz kill!
Fisher tries hard to make a go of the enterprise, but she can't rescue the film's flawed script. A jumble of plot points raises the stakes but doesn't pay off, characters who seem important early on disappear later, and nearly every role is a romcom stereotype -- the eccentric-but-lovable lead; the gawky, fun best friend; the slightly brooding, self-serious romantic interest. It's too bad, really, because on paper, Shopaholic had the makings of a blockbuster: inspired by bestselling novels, beautiful New York as its backdrop, and a stellar cast (especially supporting players like John Goodman and Joan Cusack). It's an impulse buy you may not fully regret, but one you won't love, either.

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