With prominent
Saturday Night Live talent involved, there is quite a bit of topical (euphemism for badly-out-of-date) satire, involving the Moral Majority, the movie dud
Yes Giorgio, and a closing Aykroyd-Hanks rap-music (!) theme song that's sooooo stuck in the 1980s.
The movie is consistently funny, but what's the point, besides confronting the ultimate unflappable squaresville cop Joe Friday with such not-ready-for-prime-time offenses as strip clubs, pin-up girls, and devil cults? It's all comes together thanks to Dan Aykroyd's dead-on impression of Jack Webb's persona. Even within the confines of a comic caricature, Aykroyd creates a surprisingly sympathetic and fleshed-out hero with the staccato-talking, time-frozen 1950s Joe Friday, and in the course of the outsized mayhem Friday learns to loosen up and form a bond with his mismatched boyish partner (team-player Tom Hanks is not only good, he doesn't try to overshadow his co-star's extravagant schtick).