| ON: Content is age-appropriate for kids this age. | |
| PAUSE: Know your child; some content may not be right for some kids. | |
| OFF: Not age-appropriate for kids this age. | |
| NOT FOR KIDS: Not appropriate for kids any age. |
Parents need to know that the narrative begins with what looks like a prostitute visiting a half-naked man in a sex-for-money deal -- but it's a tease; she's a secretary and he's hired her to dictate a memoir. While a teen girl is a key character, this is very much a grown-up drama, about people prominent in London society, romance across (British) social-class lines, and Anglo-specific icons of the last ten years, like the Millennium Dome. If the most your kids know about England is what they get from Harry Potter, then the subtleties will escape them. Subplots concern parents mourning for a dead boy, or the possibility of a child's murder.
Gideon Warner (Bill Nighy) is a self-made man, a chauffeur's son who manages to become a public-relations wizard in London. Widowed, he has a sexy lover and his firm is trying to land a prestigious project managing a huge New Year's Eve 1999 bash, which the queen will attend. But Gideon is distracted. He worries about his detached teen daughter Natasha (Emily Blunt). Gideon makes a connection across social boundaries when he meets Stella (Miranda Richardson), whose young son was hit by a truck and killed. Free-spirited and upbeat despite her deep grief, Stella introduces Gideon to her un-posh environment. Gideon reveals to her the family tragedy for which Natasha has apparently never forgiven him. The irony, of course, is that an in-demand PR professional like Gideon can't communicate with his child. As he grows more distracted with Natasha and Stella, Gideon finds himself blanking out at work. His apathy and pointless non-sequitur remarks are mistaken by his clients as signs of brilliance and wisdom, and his plans for the millennium celebrations are put into action. Meanwhile he makes a desperate bid to reconcile with his daughter.
Gideon's Daughter is not a formulaic Hollywood product, but a thoughtful British drama combining real-life events and personalities of the recent past with a fictional father-daughter divide. The film has a puzzling set-up and chronology, as a man named Sneath (Robert Lindsay) begins dictating Gideon's story to his secretary. It helps to know that Sneath was a character in a previous BBC drama by writer-director Stephen Poliakoff entitled Friends and Crocodiles; if you don't have knowledge of late 20th-century British events, such as the building of the Millennium Dome or the election of the Tony Blair government, much of the backdrop will be confusing.
The narrative is a slow-simmering affair, consistently watchable thanks to the witty dialogue, sterling performances, a lush orchestral music score, and no clearly predictable path for the story to go next. Of course, when it doesn't go much of anywhere (leaving the ultimate fate of the main players to Sneath's guesswork; even he isn't sure) … there you are.
Families can talk about the grief of the parents in this movie for their lost children, or the void between Gideon and Natasha. Does he deserve the cold treatment? Or is he overreacting to a typical teen's yearning for independence? Gideon's withdrawal, lack of attention, and tardiness at work are all traits that are amusingly mistaken for signs of brilliance. You might emphasize to young viewers that only in the movies is poor job performance rewarded with being declared a genius.
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| Studio: | BBC |
| Director: | Stephen Poliakoff |
| Cast: | Bill Nighy, Emily Blunt, Miranda Richardson |
| Genre: | Drama |
| Run time: | 106 minutes |
| Theatrical release date: | February 26, 2006 |
| DVD release date: | May 30, 2006 |
| MPAA rating: | NR |
| MPAA explanation: | not rated |