Gran Torino, which Eastwood has said will mark his last acting role, succeeds in many areas while falling flat in others. It's not a grand farewell, but it is a good, solid drama about understanding, repentance, tolerance, and change. Eastwood directs with his usual understated mastery; the film looks terrific, and Eastwood gets good performances out of his supporting cast. Regrettably, the same can't be said for Eastwood's own performance; his work as Walt is a little flat and obvious. Even when Walt is at his most angry and bitter, we're still comforted by Eastwood's familiar manner and way, as if he's too much of a star these days to truly be an actor, too much of an icon to inhabit a role.
Gran Torino does get points for trying to talk about race and class at a time when too many mainstream films ignore and shun tackling such tough real-world concerns. Walt does come to know, understand, and like some of his Hmong neighbors; he also gets to know, dislike, and understand the local Asian gang. But Gran Torino includes a few too many dramatic coincidences to be truly satisfying, and the film's dramatic tone and tenor means that those who come to it looking for a straightforward action drama may be bored by the talky parts -- and those who come to it looking for a high-minded drama may be put off by the gritty violence and blunt language. Gran Torino is a well-made, somewhat pedestrian film by a Hollywood legend; at the same time, it's hard to imagine it receiving as much interest and acclaim if Eastwood wasn't involved.