Hoodwinked

The stories sort of intersect at repeating points of action, but the film lacks coherence and tact: all the gags slam against one another, like a set of sketches more than any sort of plot. This narrative sloppiness is hardly helped by the unimpressive animation, which makes the characters seem bloated and blocky, rather than engaging. The storytelling grows increasingly tedious (as does Andy Dick's twitchy bunny, Boingo), leading at last to a denouement full of extreme sports tricks and thuggy villains, all more frantic than amusing.

The target audience also seems conceptually mushy: most of the verbal gags aim at adults, the slapsticky violence might please kids, but these tracks remain divergent. Plus, with all its energy directed toward the hyper-actionation, the movie loses the fairy tale's creepy focus, namely, the little girl's engagement with the fuzzy beast pretending to be her grandma. Here, Red's martial arts skills rather undermine the threat, and place big bad Wolf -- and everyone else for that matter -- at a disadvantage. Bland rather than lively, Hoodwinked eventually peters out.