"Munich" is a cold, cold, cold film. It describes the infamous 1972 Munich Olympic killings in very little detail, opting more to unwrap the events that followed. Those included men on assignment to kill the terrorists who planned Munich. It also poses a moral agenda: revenge doesn't solve anything. Moreover, it leaves all those involved bruised and battered and hollow for their life. "Munich" is a stylistic film, as Steven Spielberg is a visual artist. There are many shots less about the scene than the camerawork itself, which is dazzlingly done, and it adds a lot of tension. The film is a dark, bleak, and shattering piece, much more so than the epic that earned him a name as a legend: "Schindler's List." The 1993 film is better in ways, but this one packs a harder punch in many ways, and still holds it own, deserving the Best Picture nod it got. Eric Bana turns in a brooding, saddening, and amazing performance as Avner, the leader of the group sent out to kill the men behind the killings of Munich. These men are "employed" by Ephraim (Geoffrey Rush), but are really sent out by the Israeli government, including Prime Minister Golda Meir (Lynn Cohen). The other notable stars in the film are Daniel Craig as Steve, another member in the unit, and Mathieu Almaric as Louis, the group's unreliable source. Anyways, the group starts out killing by gun and escalates into bombs and other explosives (the most heart-pounding moment involves a telephone explosive rig). But the bigger the artillery and the more fatalities, the more goes wrong. Spielberg's film illustrates an illogical battle, one awfully played out, one in which the hearts of men are torn apart on the scene. It is a disturbing character study, mostly of Avner's caving in on the job, and a film of historical significance. "Munich" is unflinching, murky, and saturated, well-made, acted, and crafted, Spielberg's best film since "List," a piece of cinema that is not easy to forget. A (15+)