Popeye

Perhaps the best word to describe this Popeye is "eccentric." It's one of those movies that you either love or hate. Director Robert Altman and writer Jules Pfeiffer took their inspiration from the original newspaper comic strips, in which Popeye and the residents of Sweethaven offered commentary on the hard times of the 1930s. The performers do an admirable job of enlivening the characters, but those characters are sometimes so charmless that you wonder why they bothered. Shelly Duvall is especially good at portraying Olive Oyl, though a little of her goes a long way. Robin Williams has Popeye's gait and mumble, but his dialogue seldom rewards the effort it takes to hear it.

Altman put obvious effort and expense into designing the town of Sweethaven, but his trademark style, in which the camera seems to drift aimlessly around, is poorly suited to showing it off. Altman has a similar problem with the songs Harry Nilsson composed for the movie -- they're often lovely, but given the naturalistic style in which they're used, they simply fade away before we can notice them.