The premise might make
Danny Boyle's SUNSHINE sound like another coming of
Armageddon. It is in fact not an action flick at all, but a study of personalities, philosophies, and ethics, with a bit of
Alien-like horror in the mix as well. The utter vastness of the space around them is contrasted repeatedly with shots of their narrow interiors -- long, white-walled walkways; close, dark sleeping quarters; the observation deck, where the sun, viewed even at only 1 percent strength, is overwhelmingly bright.
Knowing they are "expendable" in pursuit of saving the world, the crew begins to see each other differently. And this is the beauty of the film, its mediation on seeing and visual poetry. Though the plot turns a little silly by the end, the imagery remains magnificent.