Superman: Doomsday (PG-13, 2007)

A feature successor (but not a direct continuation) of the most recent TV Superman cartoons, SUPERMAN: DOOMSDAY adapts a big-selling DC Comics cycle of the '90s that made headlines for Superman dying (apparently), and the tangled events that result. This is a more streamlined retelling -- no Wonder Woman or other DC icons in the mix. As this opens, Superman and Lois Lane are already together. Lois is about to get Superman admitting his Clark Kent identity as a symbol of commitment when an emergency strikes. Lex Luthor's illegal mining operations unearth an alien craft holding a genetically engineered "super-soldier." Superman's fight in Metropolis with the relentless, merciless foe seems to end with the Man of Steel giving his own life in the final effort. Even ruthless arch-enemy Lex Luthor feels cheated, but it gives him the opportunity for an extreme power grab.

Early on Superman laments he can only save people through his strength, but not through intellect (it's suggested Luthor, hoarding various medical miracle cures he's invented, does have that brilliance). And sure enough, super-beat-downs predominate. Short-attention-span viewers of all ages never need to wait long for another super-fight that destroys whole skyscrapers at a time. But the script takes time now and then to put some real thought into fundamental questions of what personality traits make Superman the intrinsically good guy he is -- and where that could go wrong, in a super-substitute.

There is also the intriguing (but short-lived) depiction of Metropolis without Superman, and how his absence affects longstanding characters in the series. This makes Superman: Doomsday a distinct level above lots of video releases of the older TV Superman cartoons. If only the music score was more orchestral, not a cheap-sounding synthesizer.