Sweeney Todd: The Demon Barber of Fleet Street

Anyone familiar with Sondheim's revenge tale will be ready for a fair amount of blood and gore. But those less versed with the source material should be warned: This is not a general-audience Rodgers & Hammerstein production. Burton is the ideal director to tackle this particular musical, since he's a master at theatrically dark and moody sets. He doesn't disappoint, perfectly bringing Sondheim's bleak London -- "a great black pit" inhabited by the "vermin of the world" -- to the screen. Depp and Bonham Carter are excellent performers who obviously work seamlessly with Burton (one is his acting muse, and the other is the mother of his children). But trained singing voices aren't part of their skill set. Depp's is passable -- actually, better than expected -- but Bonham Carter's upper range is awful, and she has to make up for her shaky voice by talk-singing most of the lyrics. Still, despite their lack of singing prowess, they're otherwise well cast as an odd couple of Fleet Street crazies.

All of the supporting characters have significantly better voices, like the lovelorn Antony (James Campbell Bowers) and Todd's teenage daughter/the Judge's ward Johanna (Jayne Wisener), who's a vision of cornsilk hair and first-Soprano sweetness. And viewers will especially love Sacha Baron Cohen's appearance as swindling Italian barber Signor Pirelli, complete with hammy accent and bushy mustache. While Sweeney Todd offers an abundant amount of blood, it has equal doses of humor and wit. But if you're squeamish, be prepared to spend the second half of the film covering your eyes. And fans of the musical should know up front that they'll be underwhelmed by the singing. Still, it's true to the story, has a dazzling score, and is definitely worth seeing.