A Lot or a Little?
What you will—and won't—find in this movie.
The movie wrestles with some big and universal themes. The kids begin to behave badly, mainly in response to their father's all-encompassing anger and frustration. But when one grows up, he begins to realize that all things are connected, specifically families and nature. In a kind of dream/fantasy sequence, he learns empathy and tolerance for his family. In general, all of these themes -- and others -- are not literally outlined. They're up for interpretation and debate.
Positive Role Models
Certainly the father is no role model. He's bitter and miserable and takes out his frustrations on his family. He keeps preaching that, to get ahead in the world, you have to be ruthless. His oldest son, Jack, struggles with these teachings his whole life, but in the end -- in a kind of dream/fantasy sequence -- he seems to reconnect with his family and find a kind of inner peace, though this revelation is very abstract.
Violence & Scariness
Most of the violence is just under the surface. The father is constantly angry and threatening, but he rarely lashes out in a physical way -- though in one scene, he tries to slap one of his boys for talking back at the dinner table. A boy drowns in a swimming pool. A little blood is on display during a poetic flashback sequence. Two boys play with a BB gun, and one is shot in the finger. Other scenes include some mildly disturbing imagery.
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Sex, Romance & Nudity
There's something akin to a "creation of life" montage with some peripherally sexual images; viewers see a pregnant woman, and later they see her with her newborn baby.
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"Hell," "my God," and one character says "get 'em by the nuts."
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Drinking, Drugs & Smoking
In brief sequences, there are hints of secondary characters smoking, though none of the main characters or kids actually smokes.
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Parents Need to Know
Parents need to know that, even more so than his previous movies, this drama from legendary and elusive director Terrence Malick is a work of poetic images rather than a cohesive, solid story. The main theme seems to be family relationships, but it all takes place within a huge universal context of infinite time, space, and even dreamscapes. There's the suggestion of simmering violence on the part of the father, but while he often yells, he very rarely lashes out physically. Language is minimal; a flashback sequence contains passing visual references to sexual reproduction. But even though there's not a huge amount of age-inappropriate content for teens, younger viewers are likely to be bored; this movie requires a great deal of patience and the ability to embrace new and unique cinematic encounters. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.
Is It Any Good?
This may be director Terrence Malick's darkest and most difficult movie to date, focusing on an angry, troubled father and the way he takes out his frustrations on his children. At the same time, hope comes in the most abstract of ways, which may leave viewers unsatisfied. But Malick's astoundingly potent physical poetry makes all this spring to life; it's a movie to be felt and experienced deeply.
Malick is one of the most mysterious and powerful filmmaking talents in the world today, and the infrequent release of his movies (only five in 40 years) creates a tremendous sense of anticipation. At the same time, his movies are a hard sell, focusing mainly on powerful, poetic imagery instead of clear, linear storytelling; most viewers simply aren't used to watching movies like this. But at the same time, Malick delivers, making the same kinds of movies today as he made in the 1970s, as impossible as that sounds.
Did we miss something on diversity?
Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.