Directed by Perry, this sequel to
Diary of a Mad Black Woman is broadly comic and pushes the PG-13 envelope on content. While the sequel shows more confidence and better production values, it essentially repeats the first plot: Madea advises an abused relative on how to save herself. While Madea provides Nikki with a stable home and emotional encouragement, she serves a different function for the film's audience by performing unsubtle comedy like beating Nikki with a belt, trash talking, and threatening (humorously) to beat or kill those who disobey her. It's funny, and sets Madea apart from those she counsels -- they had better not do as she does.
The Madea franchise is premised on this excessive characterization, and audiences love the character. Still, she can be repetitive, and this film is unevenly paced and predictable. Alternately boisterous, syrupy, and endearing, the film bolsters Madea's belief in family strength-in-unity by community-building, history-remembering, spirit-reviving speeches by Maya Angelou and Cicely Tyson, who show up at the reunion and final scene's wedding.