Vanilla Sky

Vanilla Sky has a lot of surface appeal, but at its core it is as vacant as the story's main character. It tries to be a sort of Sixth Sense with sex. Like Cast Away, this is something of a vanity production. I suspect that Tom Hanks created the ultimate acting exercise for himself, based on what he feared most – being separated from his family. Cruise, who also produced this movie by purchasing the rights to the original, Spanish-language version, has done the same here. He may have chosen what he fears most – losing his looks and easy grace, losing his knack for owning the room. And, like Hanks, he selected a story that provides the opportunity for tour-de-force acting. In many scenes, Cruise's famous face is covered with a latex mask, leaving him only his body and his eyes to convey all of the character's emotions.

Cruise works hard and makes some arresting choices. Cameron Diaz turns in a terrific performance and Tilda Swinton is excellent in a brief role as an executive. But Kurt Russell seems a little lost as a therapist, and Penelope Cruz, repeating her role from the original, says her lines as though she is not really fluent in English yet.