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What’s the Story?

Reviewed bySandie Angulo Chen
Director Spike Jonze and co-writer Dave Eggers' adaptation of Where the Wild Things Are fleshes out Maurice Sendak's protagonist Max (Max Records) to provide a reason behind his wolf suit-wearing mischief. He's an imaginative kid with boundless energy. But when his mom (Catherine Keener) doesn't seem to have time for him, he snaps, tries to bite her, and runs away. Suburban woods lead him to a sailboat that heads straight to a mysterious island inhabited by Wild Things. Unlike in the book, each movie Wild Thing has a distinct name and personality: There's insecure Carol (James Gandolfini), sarcastic Judith (Catherine O'Hara), sweet Ira (Forest Whitaker), misunderstood Alexander (Paul Dano), wise Douglas (Chris Cooper), and loving KW (Lauren Ambrose). Max persuades the Wild Things not to eat him by claiming he's a king with special powers. At first ruling the island a joy -- "let the wild rumpus start!" -- but as time passes, Max begins to disappoint the dysfunctional monsters, and he eventually grows fearful that they'll realize he's just a boy pretending to be a wolf pretending to be a king.

Is It Any Good?

4

Usually, beloved children's books are adapted with a kiddie audience in mind, but Where the Wild Things Are isn't for the Happy Meal set. It's a leisurely paced, literary film that makes you reflect on the exuberance and sadness of being a child. The Wild Things are indeed a wild bunch -- they smash things and claim to have eaten all of their other kings -- but they're also a broody, sarcastic, touchy clan wrestling with jealousy (Carol hates that KW is friends with two owls, Terry and Bob), isolation (Alex feels ignored), and misunderstandings (KW wants everyone to get along). It's not all rumpus-making, sleeping in a pile, and dirt-clot fights for King Max.

Visually, the film is beautifully simple, whether it's a heartbreaking close-up of a teary-eyed Max or an expansive shot of the Wild Things' island. It's amazing how perfectly Sendak's monsters come to life and how perfectly newcomer Records plays the spirited and vulnerable Max. He truly shines, especially acting opposite Keener, Gandolfini, and Ambrose. And the excellent voice cast, who actually rehearsed together, makes you forget you're watching CGI-enhanced 9-foot puppets. The movie's evocative soundtrack, composed by Carter Burrell and Karen O. (frontwoman of the Yeah Yeah Yeahs) switches from playful to eerie to jubilant to frightening, and it's a spot-on accompaniment to Max's journey. This isn't a movie you cuddle with the kids over, the way you do with the book. It is, however, an artful, touching text on the magical but at times lonely nature of childhood.

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