Southland

Being a cop is a tough and thankless job, and Southland doesn't sugar-coat it. The experienced officers are cynical, often bitter, after seeing just about everything during their years on the streets, and Sherman is getting a crash course in reality right from the start. Cooper and his peers have developed a hardened exterior because it's the only way to get by on the force, and Sherman stands out for his innocence. Clearly, he'll need to shed that soft shell, and fast.

John Wells, who also brought ER to the small screen, created Southland. That series also examined the personal crises of everyday life. But while ER tipped toward the melodramatic, the crimes here are the mundane but heartbreaking stuff of the big city: sudden senseless killings, missing kids, random violence. There are no criminal masterminds, no complex plots, no exciting heists. By focusing on the incidents' everyday nature, the show makes the honest reactions of victims and their loved ones seem more dramatic -- more human -- than the most "exciting" gunfights and daring rescues on other police series. Realism, it seems, is more interesting than any fictional drama.