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A Lot or a Little?
What you will—and won't—find in this movie.
The heroes seem fairly disorganized; they're always joking and fighting amongst themselves. Their main motivation is to retrieve the heroin to save their jobs and avenge the death of a friend. They kill almost at random with no consequences. Nothing they do makes the world a better place, and no one seems to learn much of anything. However, themes of idealism, friendship, and love of duty and family come through underneath all the violence, swearing, and surface-level cynicism.
Positive Role Models
The main characters are definitely good people, loyal to one another and to their loved ones. But they are also needlessly violent and vulgar, and not particularly the kind of police one would want to hold up as an example. While there are scenes in which women are gratuitously sexualized and objectified, the leading female characters are assertive and pull no punches in their dealings with the leading male characters. Julie refuses to remain trapped in Lawrey's apartment while the killer of her best friend remains on the loose. Theresa refuses to sit idly by while her husband is constantly putting his career in front of his family, and seems to be engaged in an affair. Lawrey -- who is independently wealthy because of a trust fund and therefore doesn't need to be a detective -- is motivated by ideals of truth and justice, and Burnett is continually trying his best to put his wife and family ahead of the demands of his job. Also, their friendship for each other is often a motivating factor for their actions.
Violence & Scariness
Lots of big, violent action sequences with car chases, explosions, guns, and fist-fights. There are plenty of guns, including some very big, very loud ones. Several minor characters are killed without consequences. Other characters are threatened with guns to their heads. There's some blood and gore, including a scene with a rotting corpse, covered in maggots.
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Sex, Romance & Nudity
The movie has no nudity or sex, but it contains plenty of sexual innuendo and sexy situations. Married Marcus and single Mike joke and brag about their sex lives (or lack thereof), and later are forced to trade places for reasons too complicated to explain. As this part of the storyline develops, there are lots of jokes about the married man and his wife being tempted by others. A half-naked girl shows up at Mike's apartment, and there are half-naked girls dancing in a club, and a shot of Mike with his face pressed up within inches of a stripper's high-heeled foot. There are also references to "working girls" and one minor character is a prostitute.
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We get nonstop, all-out language of all stripes, including "f--k" and all its permutations, "s--t" and all its permutations, and "d--k," "balls," "God damn," "bitch," "ass," "screw," "God," "Jesus Christ," "whore," "t-ts," "a--hole," and "hump." The term "Negroes" is used.
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Products & Purchases
Characters mention name brands several times out loud, but are never seen using or consuming said brands. They include "Coke," "Budweiser," "Bubblicious" gum, and "Skittles." "Arm & Hammer" baking soda is shown.
Drinking, Drugs & Smoking
The heroes are narcotics cops. The bad guys steal an enormous amount of heroin from the police. This heroin is shown and mentioned many times (in "brick" form as well as powder), but only one minor character uses it, and is shown to be under its influence. Otherwise, there is some minor drinking during a club scene, and another scene inside a liquor store (but no drinking).
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Parents Need to Know
Parents need to know that Bad Boys is the 1995 violent debut feature of Michael Bay. Like most Bay productions, it's slick, exploitative, and has little in the way of redeeming value. The heroes are foul-mouthed, violent Miami narcotics cops who are charged with recovering a huge pile of heroin. Some minor characters are junkies and prostitutes. There is no nudity or onscreen sex, but plenty of sexual innuendo. The profanity is nonstop (including "f--k" and variations), and the nonstop violence includes fist-fighting, guns, blood, and explosions (and one gory, maggot-covered corpse). While most representations of women in this movie are sexualized and objectified, the lead female characters don't tolerate being patronized; nor do they sit back quietly while the men get all the glory and steal all the scenes. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.
Is It Any Good?
Making his directorial debut after a career in music videos, Michael Bay knows how to deliver a slick, good-looking film, colorful and filled with action. The film is also notable for its unique pairing of two African-American cops. But it also appeals to the lowest common denominator, and wallows in excessive violence and language, female stereotypes, drugs, product placement, and brain-dead sitcom humor. Bay's motto seems to be "bigger and louder."
Lawrence plays to his usual audience, but Smith hadn't yet found his sparkling star persona and comes across as a little arrogant here. Worse is the script concept that requires the two characters to pretend to "be" each other for the benefit of their murder witness. This leads to an excruciating series of fumbling, embarrassing jokes. Overall, the characters are not strong enough to provide any real emotional impact, and the violence and thrills are subsequently numbing.
Did we miss something on diversity?
Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.