A Lot or a Little?
What you will—and won't—find in this movie.
Racism is addressed as being complicated and difficult to overcome. It's obvious in the segregated South and in the way that Etta James' alleged father treats her, but it's subtler in the way Chuck Berry is arrested and how Leonard occasionally patronizes his signed musicians. Additionally, characters commit adultery, drink to excess, take drugs, and act violently.
Violence & Scariness
Several scenes of violence, including gun violence; driving under the influence and crashing; police brutality; and a bloody, fatal beating.
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Sex, Romance & Nudity
The male characters tend to be womanizers who have multiple (and usually extramarital) affairs. Women are shown half-naked, skimpily dressed, and about to engage in group sex. Lots of passionate kissing and going into hotel rooms. In one brief scene, we see a woman lowering her head in a restaurant, obviously to perform oral sex.
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Strong and frequent: "Motherf--ker" is the word of choice, with "f--k" and "s--t" a close second and third.
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Products & Purchases
As if the title doesn't give it away, there are lots of Cadillacs in the film -- every major character has more than one. Pepsi is also mentioned/shown, as is Billboard magazine.
Drinking, Drugs & Smoking
Most of the characters drink, and several drink excessively. At least two musicians are also drug addicts. Etta James is shown overdosing on heroin, lying unconscious next to a needle, with tracks on her arms. All "users" are adults.
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Parents Need to Know
Parents need to know that this biopic about several blues musicians co-stars teen favorite Beyonce Knowles but is much grittier than her thematically similar Dreamgirls. Although Adrien Brody and Jeffrey Wright are the top-billed actors, Beyonce's role has been played up to attract younger audiences. Like most musician biopics, the drama portrays performers dealing with sex, drugs, violence, and fame. Strong language is frequent (primarily the "mother" of all swear words), and there are many scenes of musicians sleeping with eager groupies. Almost everyone has a drinking problem, and two characters are drug users -- one has a disturbing overdose scene. Consumerism is limited to the titular Cadillacs, which are a pivotal aspect of the story. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.
Is It Any Good?
As a story, Cadillac Records is as melodramatic as every other rags-to-riches, Behind the Music tale of tortured musicians. But despite director Darnell Martin's creative liberties (in real life, Chess had a brother named Phil, and the Chess lineup included other key players who are completely missing from the film, most notably Bo Diddley), a collection of standout performances transforms a standard genre timeline of milestones into a fast, funny, and even thrilling ride down musical lane. The soundtrack includes killer renditions of classics like "At Last," "Mannish Boy," "Maybelline," "Smokestack Lightning," and "No Particular Place to Go."
Led by Brody and Wright, the cast is truly superb (the only weak link is Cedric the Entertainer's underwhelming narration). Wright nails every role he's in, and his Muddy -- the bluesmen who "sings about pain but doesn't live it" -- is just one more example of why he's one of the most versatile actors working today. Eamonn Walker is a commanding scene-stealer as scary, sexy, gravelly voiced bluesman Howlin' Wolf; Columbus Short should propel himself into his first leading role after his remarkable turn as Waters' protégé Little Walter; and Def is hilariously perfect as charismatic, duck-walking Berry. Even Knowles, looking spot-on as the frosted-haired James, proves she has some acting chops hidden beneath that gorgeous, impenetrable persona. With such notable portrayals, the film's formulaic flaws are all forgiven, and the audience will walk out humming the tunes.
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