A Lot or a Little?
What you will—and won't—find in this movie.
Not a message film. A twist that would be a major spoiler to discuss does have positive resonance.
Positive Role Models
Unlike most spy movies, the main character's humanism is a primary element. A tragedy in his past has made him particularly sensitive to the suffering of families. And he questions his orders, which seem to prioritize strategic objectives over people's fate.
Violence & Scariness
Fistfights, shoot-outs. One shooting is bloody, but most of them feature a single shot that leads to a bloodless, wordless death. One brutal, fatal bludgeoning takes place just off-camera, but the bloody result is shown.
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Sex, Romance & Nudity
Nongraphic sexual situations; no nudity.
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Infrequent strong language includes "f---ing," "bulls--t," "a--hole," etc.
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Products & Purchases
A Mercedes Benz is mentioned and used.
Drinking, Drugs & Smoking
Several characters smoke. Social drinking. The main character may be a budding alcoholic, but viewers never see him drunk.
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Parents Need to Know
Parents need to know that Damascus Cover is a twisty spy thriller set in Syria after the fall of the Berlin Wall. It follows a Mossad agent (Jonathan Rhys Meyers) as he tries to get a chemical-weapons scientist who's secretly working for the Israelis out of the country. It's adult in tone and pace, but the violence, language, and sexuality aren't excessive or over the top. There are standard spy movie shoot-outs (mostly bloodless, with instant kills rather than suffering depicted). One person is shot in the head, with blood, and a fatal beating takes place just off-camera; the bloody results are shown. Language is infrequent but does include "f--k," "s--t," and more. There are a few sexual situations, but they're not explicit; characters also drink and smoke (accurate for the era). Olivia Thirlby co-stars. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.
Is It Any Good?
Apart from its focus on Rhys Meyers' character, this spy-themed potboiler falls into familiar patterns of betrayals and captures, which ends up lowering the stakes. And the plot is sometimes hard to follow, which doesn't help. Damascus Cover isn't especially memorable, but it does benefit from strong performances by the two leads. Rhys Meyers does some of his best work to date; he's convincingly intense as a Mossad agent struggling with a personal tragedy. Thirlby, while underused, is layered and beguiling enough to make us understand how Ben-Zion could be distracted from his job. John Hurt appears briefly in one of his final film roles.
For some reason, the action is shifted from the 1977 setting of Kaplan's novel to 1989, but the film doesn't particularly feel like a period piece in any case. Kaplan's book has been praised for its atmospheric, political knowledge of Syria, but that's not as evident here. The movie's emphasis on the spy as a person helps distinguish it from the espionage-movie pack, but it's not exactly suspenseful. Bottom line? You could do worse than Damascus Cover. But you could also do better.
Did we miss something on diversity?
Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.