What parents need to know
Parents Need to Know
Parents need to know that the violence here is of a war-scale variety, with ships, islands, trains, planes, and ultimately an entire city, Tokyo, destroyed, with dead and wounded. The culprit is a giant monster, though, rather than an army. While Godzilla was sometimes a good-guy monster and friend to children in later movies, he is just a menace here. Characters smoke cigarettes and cigars. The finale involves a suicide by a key character. Different versions of Godzilla (AKA Gojira, in the original Japanese) exist on DVD, with the "American cut" telling the story from the POV of a US reporter. Picture quality varies wildly (sometimes even in the same edition!).
What's the story?
After a series of mysterious disasters at sea leave Japanese ships sunken, with no survivors, scientists and investigators trace the fatal phenomenon to a radiation-tainted island not far from Pacific Ocean H-bomb test sites, where natives have folk-legends of a vast evil spirit called Godzilla dwelling in the water. After one especially stormy night the researchers and media see the culprit, an immense dinosaur, stirred and mutated by the atomic fallout. The military tries to use depth charges to destroy Godzilla, but this only drives the monster into Tokyo bay. Godzilla wades ashore and completely devastates the city. One lone scientist on the periphery happens to have invented a chemical weapon able to destroy Godzilla -- but resists using it on fierce moral grounds. In the shorter, "Americanized" version, a US reporter (Raymond Burr) for a fictitious news wire is an onlooker during the crisis. Despite his grave demeanor, his all-American name, oft-repeated, may inspire giggles: "Steve Martin."
Is it any good?
Seen today, Godzilla, King of the Monsters is plainly primitive in its special effects but still powerful in the way things are presented in stone-serious fashion without any humor. (Unless one counts the repetition of the name "Steve Martin" in the 80-minute version.) Though plenty of giant-radioactive-mutant monster movies emanated from Hollywood in the 1950s, the iconic Japan import GODZILLA uranium-mined a particularly rich path through the minds of young moviegoers then and since, with seemingly endless sequels and campy follow-ups that evolved into city-destroying Japanese monster tag-team wrestling matches.
Though it's art blasphemy, we actually like the Raymond Burr version better than the lengthier, talkier original Japanese cut. Burr is very skillfully inserted into the narrative after the fact and anchors the film's tone with the sober narration and delivery of a broadcast war correspondent. Those who jeered the American Godzilla remake of 1998 often forget that the Japanese did a color rehash themselves, sort of, in 1985, with Burr repeating his role.
Families can talk about...
Families can talk about the impact of Godzilla. Does it still hold up? Can you see why audiences of 1956 were wowed by the f/x?
Talk about Dr. Serizawa's reluctance to use his ultimate weapon against Godzilla and his grim decision at the end. Is he justified?
Japanese Godzilla filmmakers have made it a tradition to do their films with monster suits and miniatures, not CGI or stop-motion. Ask young viewers if they enjoy such visuals or would prefer something more realistic and high-tech.