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A Lot or a Little?
What you will—and won't—find in this movie.
Some characters are courageous and generous, saving others at great risk to themselves; others are plainly selfish and afraid; Dylan transitions from being selfish to selfless.
Violence & Scariness
Many dead bodies, in various states (bloody, burned, broken, sometimes in foregrounds of shots); several explosions on the ship; character pinned under scaffolding; several characters fall from frightening heights; blood indicates injuries (mouth, eye, face, limbs); characters are caught in an airshaft; characters drown repeatedly; man tries to throw oxygen tank out a vacuum-ish hole, resulting in much tension and loud slamming of his body against columns and walls.
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Sex, Romance & Nudity
Some kissing and discussion of romance between primary couple; one character is gay (we hear about a boyfriend who left him).
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Very mild language ("damn," You gotta couple a big ones").
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Products & Purchases
Vending machine with brands visible.
Drinking, Drugs & Smoking
Characters smoke cigarettes at party, drink alcohol; nasty character drinks from flask and gets drunk during the escape.
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Parents Need to Know
Parents need to know that this movie begins with some family tension -- a single father and his teenage daughter clash over her boyfriend -- but as soon as the wave hits (some 10 minutes in), the brutal, often fatal, action is non-stop. So are the bodies: Broken, bloodied, and burned corpses appear every time the core group of survivors turns a corner. This group is beleaguered by fires, explosions, flooding/rushing water, and crashing architecture as they make their way to the surface. They teeter across hand-made bridges over dizzying heights, get locked in flooding rooms, fight with each other, and risk their lives for each other. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.
Is It Any Good?
Why cast Andre Braugher if you don't use him? In his role as captain, he's relegated to making a couple of feeble speeches and then leaves everyone on board to their dire fates. When he advises passengers to wait to be rescued, you know he's wrong, and also that he's not long for the film. That's too bad, because the survivors are a dull lot. It's mentioned that Kurt Russell's character used to be "mayor of New York," which is never explained, but plainly draws on post-9/11 desires for heroes). None of the characters or their relationships are presented for more than a minute to two, and so none solicits much emotional investment.
That's not to say the folks in gowns and tuxedos don't learn some lessons in loss and courage. But they do so incidentally. The point in a disaster film is fear and relief and some more fear: It's a ride. Here, you watch characters work to get out of small spaces, endure water and fire, and make their way to more small spaces.
Did we miss something on diversity?
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Our Editors Recommend
Common Sense Media's unbiased ratings are created by expert reviewers and aren't influenced by the product's creators or by any of our funders, affiliates, or partners.See how we rate