A Lot or a Little?
What you will—and won't—find in this movie.
Acceptance, compassion, and empathy are prominent themes. Learning about your heritage, adapting to new surroundings, forgiveness, and standing up for others are also explored. Negative themes such as abuse, drugs, stealing, and violence. But these make way for the more positive messages of the movie.
Positive Role Models
As Femi struggles to adapt to his new circumstances, his behavior deteriorates. He steals, starts to smoke pot, and performs violent acts for others. However, he is a sympathetic character and shows his kinder side on several occasions. Mary is a kind woman whose life's work has been to help others. Yinka abuses Femi both physically and mentally. But Femi learns to forgive her after learning more about her own past. Mace is violent and manipulative. He uses Femi to get what he wants and humiliate others.
Violence & Scariness
Characters are punched and kicked in the street, causing bloody injuries. One street brawl results in a character spitting out blood onto the floor. A character's facial wounds are treated at home with a cloth and water. Several fights between school kids and one involving a teacher. A school kid is punched to the floor and made to walk on all fours and "squeal like a pig." Two characters disappear off screen and return with blood on their hands -- it's unclear as to what happened. A parent beats their child with a stick and makes them exercise on the spot while pulling their ears out in an act of humiliation. Some examples of bullying based on heritage and skin color.
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Sex, Romance & Nudity
A dreamlike sequence depicts a passionate kiss. Attraction between teens implied. Character takes a shower -- no nudity.
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Language includes variants of "f--k," as well as "s--t," "horses--t," "d--khead," and "idiot." The "N" word is also used on several occasions. A character is repeatedly called "blik" based on their skin tone.
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Drinking, Drugs & Smoking
Characters smoke pot. Opened bottles of alcohol are depicted but not drunk.
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Parents Need to Know
Parents need to know that The Last Tree is an absorbing coming-of-age drama about a Black boy, fostered by a White woman in the English countryside, who goes to live with his birth mother in London. The movie focuses on identity, as Femi (played initially by Tai Golding, and later by Sam Adewunmi) must learn to adapt to his new surroundings. There are moments of violence, most notably when Femi becomes involved with local hoodlum, Mace (Demmy Ladipo). Mace orders Femi to beat and humiliate people. In one scene, Femi hits a fellow student to floor before Mace orders him to walk around on all fours and "squeal like a pig." Femi is also at the receiving end of violence. He is beaten in the street, receiving cuts to his face. As a child, he is also regularly beaten with a stick by his mother, Yinka (Gbemisola Ikumelo). She also makes him exercise on the spot while pulling his ears out as a further punishment. There are several instances of school bullying. Tope (Ruthxjiah Bellenea), a girl in Femi's school, is picked on for her dark skin -- she is constantly called "blik." Other language includes variants of "f--k," while the "N" word is also used on several occasions. Femi and Mace smoke pot together, with a subsequent scene playing out in a dreamlike sequence as as result of Femi's smoking. Though Femi behaves badly on occasion, his behavior is sympathetic, as he starts to find his place in the world. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.
Is It Any Good?
Identity is at the heart of this beautiful film. Beginning in the tranquil Lincolnshire countryside, Femi -- a young British-Nigerian boy filled with the innocence of youth -- plays blissfully with his friends. Femi appears happy, living with his foster mother, Mary, a White woman who promises Femi that no one is going to take him away. But then Femi's birth mother, Yinka, arrives and does just that, taking him back to a small flat in an impoverished part of London. There, Femi is forced to find a new identity in order to fit in with his more street-wise peers. They may look more like Femi, but they are from a world Femi has no experience of. The movie then fast-forwards a number of years, with Femi now -- on the face of it -- integrated into urban life, albeit with an uneasy relationship with Yinka, who favors the stick (quite literally) when it comes to disciplining her son. Yet beneath the surface, Femi's identity struggles continue. While his friends listen to Tupac, he prefers The Cure -- something he keeps secret for fear of being cast as an outsider once again.
The cinematography in The Last Tree is beautiful. The visual contrast of the English countryside with inner-city London, and later, the bustling streets of Nigeria, permeates from the screen. Despite only being his second feature-length film, writer and director, Shola Amoo conducts proceedings with a natural confidence, inter-cutting moments of slow motion and dreamlike sequences. Adewunmi as the older Femi is also superb, portraying Femi's complex emotions with a quiet subtleness, yet equally adept at moments of explosive rage and release. Femi's relationship with Mace -- the local hoodlum who tries to recruit him -- borders on cliché. But overall this is a thoughtful coming-of-age movie, beautifully shot, with a powerful central performance.
Did we miss something on diversity?
Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.