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Return to the Hundred Acre Wood (by David Benedictus)

common sense media says

An adequate sequel, but it misses the magic.


parents & educators say

What parents need to know

Parents need to know that there's little to be concerned with here: a mention of drinking whiskey, a bike brand, and an ear-boxing by an annoyed Owl.

Educational value: The characters make many mistakes in spelling and general knowledge which young readers may enjoy recognizing and correcting.
Positive messages: Shows the power of imagination.
Positive role models: Christopher Robin is a model of the kind of imaginative play that is fast disappearing today.
Violence & scariness: Owl pulls Tigger's tail and boxes Roo's ears.

More on Return to the Hundred Acre Wood

What to talk about

Talk to your kids
  • Families can talk about sequels to classics. Have you read the original books? How does this compare? In what ways is the writing similar and different? The pictures?
  • Why do publishers have authors write sequels to deceased authors' books? Why are authors willing to do it? Why would Milne's estate allow it?
  • If you were an author, would you want to write a sequel to a book you loved? Would you be happy if someone wrote a sequel to one of your books after you died?

What's the story?

What's the story?
Christopher Robin returns to the Wood, a bit older and more grown-up, to spend a summer with his old friends Pooh, Piglet, Owl, Rabbit, Kanga, Tigger, and Roo, as well as a new friend, an otter named Lottie. Together they play cricket, set up a school, search for missing bees, and have other gentle adventures.

Is it any good?

Is it any good?
 
Why, oh why, do publishers do this? Eighty years ago, A. A. Milne wrote two magical books about Winnie the Pooh (as well as two books of poetry for children), enchantingly illustrated by Ernest H. Shepard. Now, for reasons that pass understanding, someone decided a sequel was needed, and Milne's estate gave its permission. Author David Benedictus and artist Mark Burgess do their best to imitate the style of the original, and do a decent job of it. But, predictably, the one-of-a-kind magic that imbued the original, born of a father's love for his son in a time long past, is gone.

What's left here is not terrible. Were it not attempting to follow in the footsteps of a classic, it might even be considered a pleasant enough set of bedtime stories. For children who have read the originals and clamor for more, this is passable. But if your children haven't read the originals, and especially if the Disney movie versions have convinced them it's for babies, go there first. Milne's works are timeless, enchanting, and a more challenging read than most kids might suspect. They should be a part of everyone's childhood.

Burgess does a decent job of imitating Ernest H. Shepard. Though PIglet looks wrong, and Christopher Robin looks like he has aged much more than a year since the last book, the illustrations are pleasant and occasionally amusing.

Book themes & details

Book Details
Author: David Benedictus
Illustrator: Mark Burgess
Publisher: Penguin Group
Publication date: October 1, 2009
Number of pages: 201
Hardcover price: $19.99
Read Aloud: 7
Read Alone: 9

This review was written by Matt Berman
 
 

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watermelonlover123
kid, 11 years old
 
Whinnie the pooh is not babyish!
You know what! I am 9 and i loved this book, I just loved it! You know people might say it is " babyish" or " boring" but it really is not at all, it is really entertaining! The only reason i said for ages 8 and up was because it is a chapter book. Mabye littler kids could have their parents read it to them, and a 16 year old just give the book a chance and see the whinnie the pooh is not always " babyish!" Also do not go on saying " Oh, on common sense media i read a rating from a 9 year old and said that she liked whinnie the pooh:0" well give the poor honey loving bear a chance and read the book!

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