Andrew Lloyd Webber's The Phantom of the Opera - PG-13
Common Sense Note
This movie includes peril and violence, with some graphic images. There are mild and non-explicit sexual situations with predatory implications.
Families who see this movie could talk about what the Phantom loved about Christine. Can you love people without really seeing who they are? Families could also talk about the way the two key songs in the movie are used to illuminate different relationships and different emotions.
Common Sense Review
Reviewed By: Nell Minow
Despite lavish settings and sweeping camera movement, this sumptuously produced Andrew Lloyd Weber musical feels static, stuffy, and stagey. This is in part because so much of it takes place on a stage but mostly because it is mostly just people standing still and singing rather than moving or, well, acting. It's the Branson, Missouri dinner theater edition, as decorated as a wedding cake and as tightly laced as Christine's corset.
This is the zillionth version of the Gaston Leroux Beauty and the Beast-like story about a brilliant masked madman who lives under the opera house. He falls in love with the exquisite young soprano Christine, (played by the exquisite young soprano Emmy Rossum from Mystic River ). She believes he is the angel of music, sent to teach her by her dead father.
But the Phantom is no angel. He will do anything to make Christine a star and he will do everything to possess her.
At first, Christine is mesmerized by the Phantom. He brings her his home in the caverns far below the stages and dressing rooms and sings to her about the music of the night, charging her singing with passion. And just as the theater owner sells the place to two scrap metal dealers who know nothing about show business, the phantom arranges to have Christine get the starring role in the opera's newest production.
The new team has a new patron -- a handsome young nobleman named Raoul (Patrick Wilson) who was once Christine's childhood sweetheart. He and Christine fall in love but the Phantom will not allow Christine to be with anyone else, even if it means destroying everything he cares about.
Sumptuous sets and costumes give this film the grandest of aspirations, but its overheated emotions set to Andrew Lloyd Weber's purplish music are so inherently "theatrical" that the film cannnot be as effective as the stage play, and the performances are more about the music than the story. Christine, Raoul, and the Phantom sing in the theater, they sing in the caverns, they sing in a graveyard, and they sing at a masked ball. But the bland Gerard Butler as the Phantom never conveys the menace or the allure of the brilliant madman who hears the music of the night.
Families who enjoy this film will also enjoy Chicago and some of the earlier, non-musical version of this story, from the silent version starring Lon Chaney to the 1989 version starring Nightmare on Elm Street's Robert Englund. Rossum is always worth watching, especially as an Appalachian girl in Songcatcher , and Butler is much more at home in the appealing Dear Frankie.
Rate It!
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Sexual ContentSexual undertones in the Phantom's obsession. |
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ViolenceSuspenseful with one graphic scene. |
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CommercialismNone |
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Drug/Alcohol/TobaccoNone |
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