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Annie Hall - PG

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3 stars

This funny movie about middle-aged relationships is NOT for kids.

Rating: PG for sexual situations and discussions, mature themes, drug use, mild expletives Studio: MGM/UA Directed By: Woody Allen Cast: Woody Allen, Diane Keaton Running Time: 99 minutes Release Date: 03/07/1977 Genre: Comedy

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Common Sense Note

Parents need to know the movie will seem too dated for many teens, but older kids serious about film may be interested. Though lively, witty, and watchable for older teens, parents should be cautioned that ANNIE HALL is not a movie for kids. The movie would be at least a PG-13 -- a rating that did not exist in 1977 -- were it to appear today. Know that the movie is very much a product of the permissive 1970s; there is casual sex as well as drug use (a brief bit centers on the cocaine that was then socially-acceptable). Much of the bedroom stuff is innuendo, nothing explicitly shown, but there are zingers in the dialogue that could lead to some awkward questions from the young ones.

Families can talk about whether this 70s classic is still relevant or not.

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Common Sense Review

Reviewed By: Charles Cassady, Jr.

Yes, Virginia, this was the movie that grabbed the Best Picture Oscar away from the original STAR WARS, also nominated. Do a thousand martyred Obi-Wan Kenobi action figures cry out for revenge? No, because ANNIE HALL really is a masterwork, and even a more impressive one when you consider it didn't trigger of flood of Lucas-esque copycats (except in a fad for Annie Hall-inspired mismatched-wardrobe ensembles). Woody Allen's sophisticated take on relationships is lively and fleet enough (complete with an animated interlude that parodies Disney) to amuse adolescents in particular, as well. Doubtless, though, it would be PG-13 -- a rating that did not exist in 1977 -- were it to appear today.

Woody Allen, as he often does, plays a very Woody Allen-type character, a popular but obsessively-worried comic and writer named Alvy Singer, who traces his neuroses to having grown up in a house built right into the loud, shaky Coney Island roller coaster. Alvy talks right to the viewer whenever he feels like it, and he feels like telling us about his latest romantic meltdown, a breakup with a woman named Annie Hall (Diane Keaton).

Alvy is Jewish, twice-divorced, addicted to psychotherapy, and his idea of a date movie is a four-hour Holocaust documentary. Annie is none of these, but they're instantly attracted to each other's quirkiness. Alvy nurtures Annie's singing career and gets her into night classes and therapy herself, but on the downside, he refuses to commit and soon becomes jealous of her night-school instructor. Annie, meanwhile, thinks Alvy will always look down on her for not being as intellectual as he is. An awkward visit with Annie's small-town but brittle and dysfunctional family underlines how different the two are.

Alvy and Annie go through a cycle of splits and reconciliations. The final breakup occurs when Annie's vocal talents get the attention, both romantic and professional, of a music producer (Paul Simon) based in sunny Los Angeles, a place that New Yorker Alvy loathes. Much later Alvy and Annie meet again, but only as friends, and Alvy is left to conclude that love affairs are worth the trouble and losses that, for him anyway, seem inevitable.

Woody Allen's long career has had different stages. The scandalous Woody notorious today for shacking up with his much-younger stepdaughter would have made a great character in a Woody Allen movie back around the time ANNIE HALL was made. That's when Allen was transitioning from broad, slapstick-heavy spoofs like SLEEPER and BANANAS and more towards personal, introspective comedies and dramas. ANNIE HALL may not have giant chickens or silly robot costumes, but it retains a plethora of one-liners and hilarious, attention-getting narrative devices, such as flashbacks that allow the adult Woody to sit in on his elementary-school days and argue Freud with the exasperated kids in his old homeroom.

As a moralist, Allen -- too obviously -- has few solutions. But he asks many pointed questions. In one of a series of person-on-the-street interviews Alvy asks a couple who are content with each other what their secret is. They declare that they're shallow and stupid. The late musician Frank Zappa also held the opinion that the smarter you are, the unhappier. You could discuss this notion with kids; hopefully it won't provide them with the best excuse yet for failing grades.

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Content
CS adults kids

Sexual Content

While nothing much is shown, the funny dialogue hints at a lot.

Violence

Language

A few mild expletives and Christ's name in vain.

Message

 

Social Behavior

Questionable throughout: the insecure, diminutive and restless Alvy is contrasted throughout with his unlikely best friend Rob, a hale, handsome, sensible and successful executive who thrives in an environment of fancy cars and unattached flings with girls.

 

Commercialism

 

Drug/Alcohol/Tobacco

Marijuana is discussed as an aphrodisiac, and cocaine is used.

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