Are We Done Yet? - PG
Watch Video Review
Common Sense Note
Parents need to know that this sequel to Are We There Yet? follows a blended family in which there's significant tension between the stepfather and kids. Like most family comedies, there are dozens of sight gags and pratfalls. Three blind plumbers and two obese Hawaiian subcontractors are competent workers -- which makes their unnecessarily stereotypical depictions even more obvious. A 13-year-old girl is portrayed as boy crazy and wears revealing outfits in a couple of scenes. She also flirts and sneaks out to party with an older teenage construction worker. Mom Suzanne has a discreet homebirth, although her husband passes out after checking to see whether the baby has crowned.
Families can talk about how the media portrays blended families. Is Nick's relationship with his stepkids realistic? What kinds of issues do blended families face in real life? Families can also discuss the media's take on kids' transition into full-blown adolescence. How is Lindsey similar to and different from 13-year-olds you know? Why is Nick so upset about the way she dresses? Parents and kids can also talk about stereotypes. How does the movie portray Hawaiian people and the blind? Is it funny or offensive? Why?
Common Sense Review
Reviewed By: Sandie Angulo Chen
At this point, it's safe to wonder whether there will ever be a family comedy that doesn't show a father getting smacked in the face with flying kitchen debris or in the groin with, well, anything pain-inducing. The omission of those trite sight gags would be a novel idea indeed, but Ice Cube's sequel to his $82 million comedy Are We There Yet? isn't original enough to survive without such familiar scenes. That said, it is much better (and cleaner) than the original.
In ARE WE DONE YET? -- a loose remake of the Cary Grant-Myrna Loy classic Mr. Blandings Builds His Dream House -- Ice Cube's character, Nick, shares a crowded apartment with his new wife, Suzanne (Nia Long) and her two kids, with a new pair of twins on the way. So the blended clan leaves Portland for the country, where they attempt to renovate a grand 19th-century mansion -- which, as it turns out, basically needs to be gutted and rebuilt, plank-by-plank and pipe-by-pipe (with imported wood and copper pipes, at that).
Hovering over every step of the process is town realtor/contractor/inspector/counselor/midwife Chuck, played with overly caffeinated delight by John C. McGinley (Dr. Cox from Scrubs). Having sold the fixer-upper, Chuck becomes persona non grata to Nick, but the rest of the family adores his quirky, all-knowing ways -- even moody 13-year-old Lindsey (Aleisha Allen), who's too boy-crazy to notice much of anyone. McGinley steals the show with Chuck's goofy-but-wise antics and exhaustive résumé (he's an expert in Capoiera, a former L.A. Laker, and a championship power-walker). Meanwhile, Long -- a lovely and talented actress -- seems decorative by comparison, which is a shame, since she's got great comic timing.
Despite the all-too-familiar nature of its home-improvement jokes and teenage-daughter dilemmas, some families might get a belly laugh or two out of this formulaic film. Just don't expect a trilogy.
For some background on the story see the first film (Are We There Yet?) and the Cary Grant comedy this sequel is based on, Mr. Blandings Builds His Dream House. For other comedies with similar themes, try The Money Pit and Yours, Mine & Ours.
Rate It!
| Content | ||||
|---|---|---|---|---|
| CS | adults | kids | ||
Sexual ContentA 13-year-old wears tight, revealing, clothes. She sneaks out of her house to go to a party with an older boy. They dance, hug, and hold hands. Nick and Suzanne hug and kiss in bed after she alludes to "breaking in the house." Suzanne gives birth to twins at home, and Nick faints after checking under her skirt. |
 |
|
 |
|
ViolenceLoads of pratfalls and other cartoonish physical gags. |
|
|
|
|
LanguageNot much: "sucka," "weird," "I hate you." |
|
|
|
|
Message |
|
|
|
|
Social BehaviorThree blind plumbers are shown mistaking the woods for the house, but in another scene they work correctly on the pipes. A diverse group of neighbors visit Nick and Suzanne with welcome gifts. When a tattooed, Goth-looking family visits, Nick says: "Thanks, and leave before I call the cops." Several Hawaiian characters are obese. The movie's overall theme is that a "house is not a home." When Nick embraces his new role as stepfather and father-to-be, his family and his home come together. |
 |
 |
|
|
CommercialismMinor: Nick wears various college jerseys and T-shirts; Suzanne has a Louis Vuitton bag. |
|
|
|
|
Drug/Alcohol/TobaccoNick does two shots and downs a beer at a bar when he finds out he's having twins. People drink mixed drinks at a party. |
|
|
|
|
