Civic Duty (R)
Terrorism themes + paranoia = not for kids.
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- Studio: Freestyle Releasing , Freestyle Releasing
- Directed By: Jeff Renfroe
- Cast: Peter Krause, Khaled Abol Naga
- Running Time: 094 minutes
- Release Date: 05/03/2007
- Video/DVD Release Date: 10/02/2007
- Genre: Thriller
- MPAA Rating: R
- MPAA Explanation: language and some threatening situations.
Parents need to know
Families can talk about the media's effect on people's fears and opinions of others. For example, do TV news reports frame reports of terrorist threats in a way that encourages viewers to suspect their neighbors or distrust people who look or act different from them? If so, how and why? Are news reports ever truly objective? How would you respond to someone who looks "suspicious"? And who defines what "suspicious" means in the first place?
Message
Social Behavior:
The increasingly paranoid protagonist looks more and more untrustworthy; the neighbor he suspects of terrorism poses difficult questions about vengeance, grief, and honor; police and FBI appear generally ineffective.
Consumerism:
Drugs/Alcohol/Tobacco:
Violence
Repeated reports and warnings about terrorist violence (bombs, virus, poison, battles) include numbers of lives lost; reports on hate crimes include brief glimpses of news-style footage. Character uses a gun to hold a hostage; some fighting leaves men with bloody faces and bruises; SWAT team with automatic weapons storms a door; police takedown involves smashing their target to the ground.
Sex
Kissing and standard in-bed sex between husband and wife (silhouetted close-ups of faces and arms, nothing explicit); joke about sex ("You wanna see my calculator, baby?"); discussion about wife's previous "fetish for rock stars."
Language
Profanity includes repeated use of "f--k," plus "s--t," "damn," and "ass." Racist terms are used as examples ("raghead," "camel jockey," "sand n---er").
Common Sense says
What's the story?
Reviewed by Cynthia Fuchs
Is it any good?
These questions are definitely complex and crucial: Would Terry want to avenge his own wife's death? How does ideology frame definitions of good and evil? But the film's subtler questions are just as pressing, as Terry becomes a product of both his personal situation and his broader cultural environment. Even when Terry thinks he's finally attaining self-control, the film suggests he's losing himself. To its credit, Civic Duty doesn't resolve this dilemma but instead leaves it to viewers' judgment -- keeping in mind that you're surrounded by the same media provocations that Terry is.
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Parents and kids say



