Gaslight (NR)

Brilliant classic of mind-game suspense.

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Common Sense rates it
5
Seen the movie? Review it
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Movie details
  • Studio: Warner Bros.
  • Directed By: George Cukor
  • Release Date: 01/01/1944
  • Genre: Classic
  • MPAA Rating: NR

Parents need to know

Parents need to know that this classic suspense movie from director Alfred Hitchcock has some tense and scary scenes, but no violence or gore.

Families can talk about the examples of vulnerability and manipulation depicted in this classic of suspense movie.

Message

Social Behavior:

None

Consumerism:

Drugs/Alcohol/Tobacco:

None

Violence

None Tension and Suspense

Sex

None

Language

None

Common Sense says

What's the story?

Reviewed by Nell Minow

In GASLIGHT, Paula Alquist (Ingrid Bergman) falls in love with Gregory Anton (Charles Boyer), a musician, and once they are married, he persuades her to move into the house she lived in as a child, which has been closed since her aunt was murdered there. Gregory seems solicitous and caring, but he isolates Paula from everyone and makes her doubt herself and her sanity. He convinces her that she is always losing things, that she sees things that are not there, that she is unstable and untrustworthy. Every night, while Gregory is away, the gaslights flicker and Paula hears noises from the attic. Gregory persuades her that these are just her delusions. Just as Paula's fragile hold on reality is about to break, she is visited by Brian Cameron (Joseph Cotten) of Scotland Yard. With his help, she learns that Gregory is using an assumed name, that he is a thief, and that he had known her late aunt, a famous singer, and Cameron and Paula team up to stop Gregory from pulling off his devious plan.

Is it any good?

5
Alfred Hitchcock’s classic of suspense is a good way to begin a conversation about vulnerability and manipulation. Gregory is almost able to drive Paula mad by making her think she is mad already. By cutting her off from any outside reality, by coolly denying what she sees and hears for herself, by telling her over and over again that she is helpless and incompetent, she begins to turn into the person he tells her that she is.

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