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Common Sense Note
Parents need to know that this musical adaptation of the Broadway hit will appeal to tweens thanks to stars like Amanda Bynes and High School Musical's Zac Efron. It's a bit tamer than the John Waters original -- there's less cursing and fighting -- but the themes are the same: accepting people's differences, whether because of their looks or their skin color. Kids younger than 11 will miss much of the meaning while still being entertained by the characters and the production. Some of the song lyrics are a tad sexually suggestive: "I won't go all the way/but I'll go pretty far" and "The darker the berry/the sweeter the juice" are just two examples. Since it's set in the early '60s, African Americans are called "Negroes" (and, in one case, "lawn jockeys"). There are a lot of weight-based insults and one case of parental abuse: Mrs. Pingleton literally ties Penny to her bed and calls her a "devil child." In one scene, three "bad girls" are shown smoking in the school bathroom, while adults sit in a smoke-filled teachers' lounge.
Families can talk about prejudice and racism. Mrs. Von Tussle assumes that Tracy isn't talented because of her size, but Tracy proves her wrong. Tracy's determination and self esteem are strong despite her weight. How are overweight kids discriminated against today? What about minorities? Even though there's no more segregation, do kids of color get picked on for being different? Kids: What does Tracy teach us about judging people (and their abilities) by their looks? Families who've seen the original (or the Broadway show) can also talk about how this movie is similar to -- and different from -- the other incarnations.
Common Sense Review
Reviewed By: Sandie Angulo Chen
HAIRSPRAY starts with an infectious song -- "Good Morning Baltimore" -- that sets the cheery tone of Adam Shankman's feature-film adaptation of the Broadway adaptation of John Waters' campy 1988 comedy. The update, also set in 1962 Baltimore, has slightly less kitsch than the original -- but, thanks to the fabulous soundtrack and adorable cast, even more charm.
Newcomer Nikki Blonsky, like her on-screen predecessor Ricki Lake and Tony Award winner Marissa Jaret Winokur, makes heroine Tracy Turnblad zaftig but adorable. Tracy doesn't let her plus-sized body keep her from dancing like a pro, trying out for the local TV station's American Bandstand copycat The Corny Collins Show and crushing on the show's dreamy hunk Link Larkin (High School Musical star Zac Efron, who definitely knows what it's like to be the object of teenage affection).
Tracy snoozes through school, impatiently counting the minutes until she and her repressed, lollipop-loving best friend Penny (Amanda Bynes) can rush back home to watch their beloved dance show. Her favorite episodes aren't the lily-white ones hosted by Corny (James Marsden) but the "Negro Day" specials hosted by Motormouth Maybelle (a big and blonde Queen Latifah). When Tracy finally lands a spot on the show -- much to the chagrin of skeletal station manager/racist ice queen Velma Von Tussle (Michelle Pfeiffer, resurfacing after a five-year acting hiatus) -- the first thing she tells Corny is that she wishes "every day could be Negro Day."
Despite being dubbed a "chubby communist" by the station's owner, Tracy develops such a faithful following that she convinces her oversized mom, Edna (John Travolta in layers of drag), to leave the house for the first time and be her manager. Travolta should consider this role a gift, since he's more enchanting as Mrs. Turnblad than he's been on screen in more than a decade. And as Mrs. Turnblad's husband, Wilbur, Christopher Walken again perfects his mastery of slow talking and soft shoeing. Waters himself couldn't have cast a better mom and pop odd couple.
Some of the best songs and moves belong to the "Negro Day" dancers, like smooth-talking Seaweed (Elijah Kelly, who deserves an Efron-esque following of his own after this stand-out performance). And Queen Latifah's ballad "I Know Where I've Been" touchingly accompanies a civil-rights march calling for on-air desegregation.
Director (and choreographer) Shankman, who's best known for formulaic romantic and family comedies, has done what 2005's The Producers utterly failed to do: capture both the essence of the Broadway show's magic and the original film's timeless camp value to create a memorable movie musical. (Oh, and that cutie pie Efron definitely helps, too.)
Families who like period musicals should check out the cast's musical pedigree: Travolta starred in Grease and Pfeiffer in Grease 2. New Efron fans should clue in to the High School Musical phenomenon, and, of course, there's the Waters original, which started the Hairspray craze. All-time classics West Side Story and the trippy Hair also deal with similar issues.
Rate It!
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Sexual ContentLink and Tracy kiss; Tracy sings about how she won't "go all the way/but I'll go pretty far" and "French kissing" her crush. Seaweed and Penny kiss and dance together, as do Amber and Link and Tracy and Link. Mrs. Von Tussle throws herself on Mr. Turnblad; Mr. & Mrs. Turnblad embrace. |
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ViolenceThe Baltimore police push and shove African-American demonstrators marching for integration. Mrs. Pingleton ties Penny to her bed. |
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LanguageInsults about Tracy's weight: "chubby communist," "whale," "fattie," etc. Use of the term "lawn jockeys" in reference to African Americans, as well as the formerly common (and, at the time, accepted) word "Negro." Other racially charged terms include "cracker boy," "race mixing," etc. Penny's mom says "whore" and "devil child." |
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Social BehaviorTracy marches in favor of integration. The movie's major theme is seeing beyond people's looks or skin color. |
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CommercialismJust hairspray... |
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Drug/Alcohol/TobaccoTeens smoke in the girls' bathroom; adults smoke in the teachers' lounge. |
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