The History Boys (R)
Play-turned-movie grapples with sexuality, life.
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- Studio: Fox Searchlight, Fox Searchlight
- Directed By: Nicholas Hytner
- Cast: Richard Griffiths, Stephen Campbell Moore, Dominic Cooper
- Running Time: 104 minutes
- Release Date: 11/21/2006
- Video/DVD Release Date: 04/17/2007
- Genre: Drama
- MPAA Rating: R
- MPAA Explanation: language and sexual content.
Parents need to know
Families can talk about the differences between the students' and teachers' ambitions. How do the boys learn to make use of their two teachers' different styles of learning? How do the boys "come of age" in different ways? Also, how does the movie show multiple points of view through conversations and camerawork? And how do the movie's dialogue and staging show that it was based on a play? How is the movie's treatment of its characters' homosexuality similar to and different from the way sexuality is addressed in other movies and TV shows?
Message
Social Behavior:
Characters lie and cheat to get ahead; students have a decidedly un-hysterical repsonse to a teacher's sexual advances toward them; Muslim student must instruct his peers and teachers what being Muslim means; Jewish student suggests that being Jewish limits his options ("I'm a Jew, I'm small, I live in Sheffield, I'm f--ked"). The boys and their teachers honestly care about each other, but their relationships are complex.
Consumerism:
Drugs/Alcohol/Tobacco:
Student smokes cigarettes; students pretend to smoke cigarettes to act out a scene from Now, Voyager; champagne drinking in celebration.
Violence
References to historical wars (shell shock, memorials, friendly fire); off-screen traffic accident results in a character's death and another's injury.
Sex
Thematic focus on homosexual teachers/students negotiating their interests in each other; a teacher has a propensity for fondling students' "thighs" one student has affair with female secretary (one scene shows them in bed, in underwear); students act out a scene in a bordello to practice French, and one boy drops his pants, showing boxers. Reference to "foreskin" some sexual slang ("wanker," "c--t," "nancy," "balls," "dick"). Characters proposition each other.
Language
Several uses of "f--k" (10+), plus other language, like "s--t" (5+), and some colorful phrasing ("piss my life away"). British slang.
Common Sense says
What's the story?
Reviewed by Cynthia Fuchs
Much as Hector (Richard Griffiths) enjoys his work, which he sees as opening young minds to new ideas, the affable teacher at Cutler's Grammar School in Sheffield, England, feels frustrated. A not-so-closeted gay man, he admires his young male students in ways he's not supposed to. His students appreciate his entertainments, as well as his appreciation of them. In exchange, over the years they've learned to take turns allowing him to touch their "thighs" during rides home on his motorbike. The boys' grades are good enough that they might get into Oxford and Cambridge, so the headmaster (Clive Merrison) brings in an additional teacher to give them "polish and edge." The much younger, Cambridge-educated Irwin (Stephen Campbell Moore) teaches by a different method. Where Hector wants the boys to feel invested in what they learn, Irwin suggests that they take adversarial positions just to look smart, whether they believe them or not.
Is it any good?
Set in 1983, THE HISTORY BOYS has a certain stagey feel: Characters speak in perfectly overlapping dialogue and clever quips. For the most part, the boys are a collection of token types: rowdy playboy Dakin (Dominic Cooper), gay and sensitive Posner (Samuel Barnett), black Crowther (Samuel Anderson), Muslim Akhtar (Sacha Dhawan), white jock Rudge (Russell Tovey), wisecracking Lockwood (Andrew Knott), overweight Timms (James Coden). While each offers an occasional pithy observation to sum up a moment (the most memorable being Rudge's remark that history is "just one f--king thing after another"), as a group, they seem like the result of a one-from-every-food-group casting call.
Surveying the proceedings from the position designated "outside" by virtue of her gender, history teacher Dorothy Lintott (the excellent Frances de la Tour, who, like Griffiths, has also been seen in the Harry Potter movies) lays out the film's simultaneous awareness and exploitation of its own limits. "Imagine how depressing it is to teach five centuries of masculine ineptitude," she declares. "History is not such a frolic for women as it is for men. ... History is women following behind, with a bucket."
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