Common Sense Note
Parents need to know that this movie includes mildly scary figures (featureless blob-men, wraithlike wizards, explosions and war scenes) and a couple of dark night scenes. Its primary imagery is magical and whimsical, including the rather charming titular castle, which clatters and wheezes, walking on mechanical legs.
Families who see this movie can discuss its basic themes: appearances can be deceiving, inner selves are more important than what you look like, and generosity (what the movie refers to as "heart") ensures that good will, eventually, be done. How does the movie define family? What does it mean to grow old, whether magically or naturally?
Common Sense Review
Reviewed By: Cynthia Fuchs
HOWL'S MOVING CASTLE is a charming, odd movie that tilts between fantastical beauty and the irrationalities of war. Howl (voiced in this English language version by Christian Bale) is a wizard who's had his heart stolen by a demon. His efforts to recover himself include assembling a ragtag "family" to live with him in his moving castle. These include a friendly fire demon named Calcifer (jokey Billy Crystal: "He burns me up!") and young apprentice Markl (Josh Hutcherson).
The newest member is Sophie (Jean Simmons), a 90-year-old housekeeper who's really an 18-year-old hat-maker (Emily Mortimer does the young voice), cursed by the large and lumpy Witch of the Waste (Lauren Bacall) so she cannot tell anyone that she's been transformed. Sophie has been led to the castle by a hopping, turnip-headed scarecrow. And here she finds not only acceptance, but also a crew in need of a mother.
While keeping track of who's cursed whom and who is disguised as what can be confusing, the movie -- based on a book by Diana Wynne Jones -- pits two major forces against one another: the war-making king, aided by royal sorceress Madame Suliman (Blythe Danner), and the well-meaning but childishly petulant Howl. Sophie helps to sort out his bad behavior, in part by forgiving and looking after everyone, including the conniving Witch of the Waste. Sophie's wisdom is a function of her kindness, but her unbidden transformation is also unnerving.
Japanese director Hayao Miyazaki's animation style is famously delicate and inventive (see also, Spirited Away, 1999's Princess Mononoke, and 1984's Nausicaa of the Valley of the Wind). These jittery-edged images conjure lovely rhythms and children's perspectives (lots of low angles and dreamlike movements), while also investigating, carefully rather than loudly and aggressively, what worries kids: Why do adults fight and go to war? How is love scary as well as thrilling and encouraging? The film's answers are complicated and incomplete, but more importantly, its questions are provocative.
Families who like this movie might also want to see Spirited Away, the Harry Potter series, or Shrek. They may also want to check out the book.
Rate It!
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ViolenceExplosions and war scenes (no bodies), some mildly scary blob-men. |
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LanguageVery mild. |
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Social BehaviorHowl must learn to be generous; witches are mean. |
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