The Omen (2006) (R)
Unintentionally funny horror remake. So very bad.
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- Studio: Twentieth Century Fox
- Directed By: John Moore
- Cast: Liev Schreiber, Julia Stiles
- Running Time: 105 minutes
- Release Date: 6/6/2006
- Video/DVD Release Date: 10/17/2006
- Genre: Horror
- MPAA Rating: R
- MPAA Explanation: or disturbing violent content, graphic images and some language.
Parents need to know
Families can talk about the appeal of horror movies. Why are they so popular, especially with teens? Is gory the same thing as scary?
Message
Social Behavior:
No one acts very admirably.
Consumerism:
Drugs/Alcohol/Tobacco:
Reporter smokes cigarettes a couple of times.
Violence
Deaths are bloody, grotesque, and explicit (car explodes and burns passenger, men speared and decapitated by falling architecture); big loud dogs attack several characters; woman hangs herself off a rooftop in public; mother falls from balcony, with flailing limbs and plaintive scream (this might bother younger viewers even more than the bloody stuff); nanny poisons and throttles incapacitated woman in hospital bed; father tries to kill his son (using multiple knives, inside a church).-
Sex
Katherine appears in a tub, but nudity is only implied.
Language
Two f-words, one "damn," one "hell," frequent discussions of God and Satan, lots of screaming in fear and fury.
Common Sense says
What's the story?
Reviewed by Cynthia Fuchs
John Moore's remake of the 1976 original focuses on the vulnerable mother Katherine (Julia Stiles). When she loses her own baby during childbirth at a Roman hospital, an odious priest and her U.S. ambassador husband Robert (Liev Schreiber) arrange to hide this awful tragedy from her and give her the substitute child. The baby is Damien (Shamus Davey-Fitzpatrick), the son of the devil. While Kate is left pretty much alone, Robert heads to the embassy, where he's accosted by gaunt Father Brennan (Pete Postlethwaite). Unnerved but unmoved, Robert does eventually believe the "evidence" presented to him by dogged journalist Keith Jennings (David Thewlis). Together, they travel the globe in search of "answers," namely, how to dispose of this monstrous child.
Is it any good?
Loud and ludicrous, THE OMEN (2006) makes its distinctions between good and evil clear upfront: The sweet, suffering mother is sadly doomed, while the devil who connives to have her raise his son is dark and crafty. This showdown is occasioned by the arrival of the antichrist, here in the form of a cute-seeming infant, foretold by "signs" that include the 9/11 attacks and Katrina (these glimpsed in brief news clips).
As Damian finds ways to torment Kate (mostly by glaring at her or hiding in the park), she becomes the audience's point of identification. That said, she's saddled with a wardrobe that alternates between grim and stuffy (official-wife suits or blood-red garments) and looks lost in the stark, too-spacious interiors in the couple's new abode in London. Condemned to the usual girl-in-a-horror-movie antics, Kate is beset on all sides, not least by a scary nanny (Mia Farrow) who comes with her own scary dog. The men's actions, however, remain less compelling than the mother's melodrama. Poor Kate: She distrusts her child and shouldn't trust her husband. She doesn't have a chance.
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