The Queen (PG-13)
Death of Diana causes crisis for British royals.
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- Studio: Miramax, Miramax
- Directed By: Stephen Frears
- Cast: James Cromwell, Helen Mirren, Michael Sheen
- Running Time: 103 minutes
- Release Date: 09/30/2006
- Video/DVD Release Date: 04/24/2007
- Genre: Drama
- MPAA Rating: PG-13
- MPAA Explanation: brief strong language.
Parents need to know
Families can talk about the tensions between traditional royal propriety and "modern" media representations. How does the film argue that this crisis -- the frenzy over Diana's death -- caused a shift in that relationship, since the royal family had to accommodate public sentiment rather than have subjects to follow their lead? How is the conflict between old and new explored in the relationship between the queen and Tony Blair (in this version of events, he embodies "modernization")? How accurate do you think this version of events really is?
Message
Social Behavior:
The royal family's resentment and dislike of Diana appears here to be unreasonable; Tony Blair and Queen Elizabeth have a tense relationship, competing for "public" support.
Consumerism:
British tabloids on frequent display.
Drugs/Alcohol/Tobacco:
Minor drinking (wine with meals).
Violence
Allusions to Diana's fatal Paris car crash (archival shots of the tangled-up car, with police inspecting the scene); Diana's young sons and Charles cry at news of her death; the royals hunt stags (using guns); a dead stag (killed off screen) appears bloody and decaptitated.
Sex
Tabloid shots of Diana with her fiancé (illustrating photographers' intrusiveness); Diana appears in an archival TV interview complaining that there were "three people" in her marriage to Charles.
Language
Brief profanity: one "f--k," plus one each of "bugger," "hell," and "Oh, Christ."
Common Sense says
What's the story?
Reviewed by Cynthia Fuchs
THE QUEEN is fictionalized account of the months following Princess Diana's fatal 1997 car crash. Directed by Stephen Frears and scripted by Last King of Scotland writer Peter Morgan, the movie specifically explores the conflict between Queen Elizabeth II's (Helen Mirren) expectations of "her people" and their expectations of her. While the family -- especially Prince Philip (James Cromwell) and the Queen Mother (Sylvia Syms) -- stubbornly dismisses the public outpouring of grief (the queen insists her subjects will "come to heir senses"), Prime Minister Tony Blair (Michael Sheen) sees the mourning and increasing outrage as an expression of collective frustration with the royals being "out of touch."
Is it any good?
For its first hour or so, The Queen is carried along by a witty irreverence, equally targeting the queen and Blair as both manage their self-image. But then, instead of trusting Mirren to convey the queen's emotional transition -- which she does, brilliantly -- the film comes up with a heavy-handed metaphor for the loss of tradition. During one countryside excursion, the queen spots a magnificent stag and tries to save it from being shot, appreciating its beauty, vulnerability, wildness, and purity.
If this isn't enough, the film later delivers the Queen's "lesson" in an oddly passionate speech by Blair to his staff, which instructs them (and viewers, as if they haven't been watching the queen pondering her dilemma for the past 90 minutes) on the queen's efforts to make sense of her new age. In this moment, the film shows a lack of faith in its own audience.
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