Renaissance (R)

Animated French sci-fi noir is dark and violent.

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Common Sense rates it
3
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Movie details
  • Studio: Miramax, Miramax
  • Directed By: Christian Volckman
  • Cast: Daniel Craig, Catherine McCormack, Romola Garai
  • Running Time: 105 minutes
  • Release Date: 09/22/2006
  • Video/DVD Release Date: 07/24/2007
  • Genre: Drama
  • MPAA Rating: R
  • MPAA Explanation: some violent images, sexuality, nudity and language.

Parents need to know

Parents need to know that this mature motion-capture animated film features dark, typically film-noirish themes: identity theft, DNA manipulation, murder, kidnapping, betrayal, and depression. There's lots of violence, rendered in harshly black-and-white, high-contrast animation (guns, knives, car chases/collisions, an explicitly and upsettingly dead dog). The first violent scene involves a young kidnap victim, who endures shooting all around him before being saved. The plot involves genetic research on humans, including photos of sad-looking subjects. A sexual encounter is implied by kissing; it's followed by a scene in which the couple smoke cigarettes. A gangster appears in a pool with naked women (breasts are visible). Characters smoke cigarettes, drink liquor, and use foul language.

Families can talk about the relationship between the two sisters: What does Brislane's dedication to saving Ilona have to do with their shared trauma as children? How does Karas' own youthful trauma contribute to his devotion to saving victims (especially kidnap victims)? What's so appealing about the idea of immortality via genetic engineering? Do you think it's a good idea? What are the risks? Why are ethical boundaries important when dealing with issues like this? Families can also talk about the movie's technique. Does motion-capture animation convey more or less emotion than other types of animation? How does the animation play into the film's noir nature?

Message

Social Behavior:

Film-noirish attitudes and betrayals; cops and villains collude as much as they contest one another; corporation wants to sell "eternal life."

Consumerism:

Coca-Cola Light is advertised on a billboard; "long life" is advertised throughout the film by animated, talking billboards.

Drugs/Alcohol/Tobacco:

Characters smoke cigarettes; scenes in a bar show drinking.

Violence

Frequent animated violence features guns and fistfights; the hero shoots a young boy's kidnappers (the boy is instructed to close his eyes before the mayhem); a dog falls from a car, dead; a woman is knocked out and kidnapped; a man is attacked by thugs and left hanging from the ceiling (the body is visible from various angles); several body bags are zipped ominously; a scientist works on bodies in a morgue; the hero knocks his informant against a wall; a reference to parents killed in "the war" chase scenes involving guns; kidnapper approaches woman with a large knife; woman tries to strangle kidnapper; character is shot in the back.

Sex

Animated women wear tight clothes; a bar/party scene shows sensual dancing; a sex scene is insinuated by kissing, dark shadows, and post-coital cigarettes; a gangster appears in a pool with naked women whose breasts are visible; villain lists his sexual partners (wife, secretary, etc.).

Language

A few "f--k"s, a "damn," several uses of "s--t" (in French, with subtitles).

Common Sense says

What's the story?

Reviewed by Cynthia Fuchs

As RENAISSANCE opens in 2054 Paris, Detective Karas (voiced in the U.S. release by Daniel Craig) is saving a young boy with brutal efficiency. Karas understands the effects of childhood trauma: He's been living with it since he was a kid, when he and his best friend Nusrat Farfella (voiced as an adult by Kevork Malikyan) ran from a man with a gun. The image haunts Karas, reminding him of what it means to be afraid. And so he does his best to ease others' fear and pain. Meanwhile, Karas must find Ilona Tasuiev (Romola Garai), a missing genetic researcher who'd been looking into a DNA project related to aging that either started or stopped dead in 2006 and had implications for immortality. Ilona's employer -- short, shock-banged villainish Dellenbach (Jonathan Pryce) -- knows something about her disappearance, but he's not talking. So Karas is forced to seek information from a couple of other reluctant sources, Ilona's sister Bislane (Catherine McCormack) and mentor Jonas Muller (Ian Holm).

Is it any good?

3

Sharp-angled and dark-themed, this French film combines science fiction, film noir, and motion-capture animation. It features all of the usual noir elements -- a stoic hero, a tangled plot, and deep shadows, both literal and figurative. But be warned: While the film is intelligent and intriguing, it's also, on occasion, slow-moving and grim.

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