The Sting (PG)

Smart, stylish caper -- but not for kids.

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Movie details

Studio: Universal Pictures, Universal Pictures
Directed By: George Hill
Cast: Paul Newman, Robert Redford, Robert Shaw
Running Time: 135 minutes
Release Date: 12/25/1973
Video/DVD Release Date: 03/31/1998
Genre: Drama
MPAA Rating: PG
MPAA Explanation: mild violence

Parents need to know

Parents need to know that this film contains several violent scenes, including several on-screen shootings. None of these deaths are terribly bloody. In this film, no one is on the right side of the law. The good guys are simply better at cheating than the bad guys, and their swindling is justified on the grounds that the man they are cheating has killed their friend. There is quite a bit of gambling, drinking, and smoking as well.

Families can talk about the serious ramifications of a life of crime that are not addressed in this film. What are the risks involved with planning such schemes? Were these crooks driven to crime because of the Great Depression? If someone constantly lies and cheats others, can he ever be trusted, even by his closest friends?

Message
Violence
Sex
Language

Message

Social Behavior:

Consumerism:

Drugs/Alcohol/Tobacco:

Lots of casual smoking and drinking.

Violence

Several shootings (not graphic), a few threats and punches.

Sex

Brief near-nudity, sex insinuated (very indirect).

Language

Several s-words and a racial slur.

Common Sense says

What's the story?

Reviewed by Elliot Panek

THE STING teams Robert Redford with Paul Newman in a lively 1930s crime caper. When grifter Johnny Hooker (Robert Redford) and his partner Luther cross the wrong mobster, Doyle Lonnegan (Robert Shaw), Luther turns up dead. Seeking revenge, Johnny enlists the help of old friend Henry Gondorff (Paul Newman), con artist extraordinaire. On a train to Chicago, Johnny and Henry get in on a high stakes game of poker with Doyle, roping him into a larger scheme. With some help from a large supporting cast of accomplices, Johnny hatches an extended plot to bilk Doyle out of every penny he has. The fun stops when the FBI puts the screws to Hooker, convincing him to be part of a sting operation to catch the real big fish, Gondorff. In the end, the last one to double-cross the other wins.

Is it any good?

Part of the entertainment of The Sting is just how elaborate the scams can be. The entire movie is an extended series of sidelong glances, winks, and nods. At different moments in the story, the audience is positioned as the shyster and the mark, never sure who is telling the truth. It's a film steeped in nostalgia, not only in its setting, but in style as well. It has more than a few retro touches, from the storybook introduction to each act to the shadowy alleys reminiscent of 1940s film noir.

Despite some serious moments for the sake of drama, the film is full of joyfulness that borders on smugness. The fun in watching it comes from knowing that someone is being taken for a ride, but not knowing exactly who has the upper hand or exactly how things will play out.