The Ten Commandments (1956) (G)
Stirring, even if it's as much showbiz as Bible.
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- Studio: Paramount Home Video
- Directed By: Cecil DeMille
- Cast: Charlton Heston, Yul Brynner, Anne Baxter
- Running Time: 219 minutes
- Release Date: 11/08/1956
- Video/DVD Release Date: 03/21/2006
- Genre: Classic
- MPAA Rating: G
Parents need to know
Families can talk about the film's religious message, and its portrayal of Moses as a liberator of slaves and a champion of freedom and justice for the downtrodden. While not contrary to the Old Testament, do you think this is a mainstream "Americanization" of the Bible's themes, especially in Cold War-era Hollywood? You can use the movie as a way to get kids to read the Bible or the Torah to see if and how The Ten Commandments deviates.
Message
Social Behavior:
Moses is the ultimate Good Guy, played with sterling qualities of manliness, respect, humility, piety, you name it. Even conquered enemies and slaves revere him (there's a hint that his rugged sex appeal has a bit to do with it). Except for conquered Ethiopians and Yul Brynner's pharaoh, everyone looks ethnically more or less Caucasian -- rather than distinctly Middle Eastern or North African.
Consumerism:
Drugs/Alcohol/Tobacco:
Violence
Hebrew slaves are whipped, threatened with death (including an old woman nearly crushed under a stone), and occasionally killed on camera. Moses strangles an Egyptian baddie, and a princess is nearly murdered. Children (in the massacres/deaths of the first born) die off-screen, and a boy's body is shown.
Sex
Egyptian and Hebrew glamour-girls in flowing robes. The queen of Egypt refers to "strumpets." When the Hebrews make a golden-calf idol to worship they celebrate with sinful "lasciviousness…iniquity...adultery" that translates as a rowdy, sensual revel, with a lot of festive dancing, roughhousing, and writhing around -- it's more silly than steamy.
Language
Common Sense says
What's the story?
Reviewed by Charles Cassady, Jr.
Is it any good?
Drawbacks for the home viewers: First that you should watch The Ten Commandments on a widescreen setup to get the full visual impact of the vast sets, color, f/x, and pageantry DeMille oversaw. In the "full-screen" version the image is constrained, the dramatics sometimes stagey and stiff. It's very long also very long. Keep in mind that while the basic narrative sticks to the Bible, Hollywood scriptwriters filled in the blanks with romantic-triangle melodrama, material from at least three novels about Moses, and a silent-era version of The Ten Commandments also directed by DeMille.
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