All the Pretty Horses

Only young Lucas Black (Sling Blade, Flash) seems to belong in this story about young boys devoted to horses, guns, and friendship. Henry Thomas and Matt Damon are solidly fine as the central buddy figures. They handle their horses well, but don't seem to understand the poetry beneath the frank, drawling dialogue, much of which screenwriter Ted Tally took directly from the McCarthy novel. And so little attention is paid to developing the story's romance that viewers might wonder why the love story is even included. It's love at first site for Alejandra and Cole, a few brief scenes of flirtation, and then the "falling in love montage." Since so much of the subsequent events in the story follow from the tragic fact of their love, director Thorton would have been smart to spend more time making sure viewers would feel its power.

ALL THE PRETTY HORSES was shot to show as much Texan and Mexican landscape as possible. The screen fills up with one gorgeous view after another, but, as we start to feel the need to know the characters more intimately, the vistas become overwhelming. The movie should attract adults familiar with the book, and older teens familiar with the actors; both groups will most likely end up with an entertaining, but uneventful viewing experience. The stunning book is adequately adapted, but the big-screen heartthrobs don't do anything extraordinary onscreen.