What makes AND THE CHILDREN SHALL LEAD so special is its careful selection of day-to-day incidents in the lives of a handful of Southerners, both black and white. Combine that with a convincing script, unaffected child actors, and a supporting ensemble of skilled stars, and the result is an excellent film. The shocking era of "Whites Only" restrooms and drinking fountains becomes immediate as characters face real dilemmas. Rachel and her sister Paulette, in pressing need, find an "Out of Order" sign blocking their use of a "Colored" restroom. This simple scene may rattle youngsters today, but will register sharply with their sense of justice. The effect multiplies when the twins Lloyd and Floyd turn on their black friend.
Direct and sensitive, The Children lets us know the people of Catesville and helps us understand what each feels as the stable structure of their world, however inequitable, begins to change. If the mild ending is a bit of a letdown, it nevertheless rings true, as does so much of this picture, by personalizing a portrait of America's arduous struggles to break free of racism.